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DTSTART;VALUE=DATE:20180511
DTEND;VALUE=DATE:20180729
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SUMMARY:Field Notes  DANIELLE CLOUSE GAST
DESCRIPTION:Field Notes \nDANIELLE CLOUSE GAST \nMay 11 – July 28\, 2018 \nMAIN GALLERY \nGrowing up and living in Northwest Iowa\, routes to and from different towns have been memorized and have only seemed to slightly change over the years. \nThe landscape has become the welcome constant in my daily life when driving place to place. But on many occasions\, when the intention is to truly “see” the landscape (still often from the car window)\, beautiful\, abstract things can be found that are not that far removed from what is truly there. \nWhat do I look at? Shadows running down a ditch. Fence posts creating not only borders\, but lines reaching up into a horizon. Corrugated metal siding on a building that has turned a warm rust orange. Wonderfully organized grove lines and plant rows whose placed structure en mass pulls away from its individual organic shape. The same routes\, the same landscapes\, viewed at different times of day and different times of year. \nNew to the body of work within the last few years has been the inclusion of a husband with a pilot’s license – allowing a new view of this landscape I thought I knew well. This new perspective on the area has opened up doors of new compositions\, color possibilities\, and most importantly\, emphasized the style I usually employ in my paintings: organized\, geometric lines and breakdown of the familiar landscape. \nThough often ignored and occasionally referenced in conversation by local landmarks\, this section of Iowa landscape is the classic subject matter I have chosen to employ in my work. Due to this focus\, venturing from small town to small town usually lends itself more to research than travel.
URL:https://octagonarts.org/event/danielle-clouse-gasts-field-notes/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20180518
DTEND;VALUE=DATE:20180812
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SUMMARY:Based on a True Story  ALEX BRAIDWOOD
DESCRIPTION:Based on a True Story \nALEX BRAIDWOOD \nMay 18 – August 11\, 2018 \nSWEENEY GALLERY \nSound is an important aspect of the world around us. It tells a great deal about our surroundings when we take the time to listen. Listening requires time to experience because sound requires time to exist. In today’s fast-paced culture\, deeper levels of engagement have become increasingly rare. Add to this the common positioning of sound as a background element or object of distraction and what remains is little opportunity\, inspiration\, or perceived value in the act of listening to what’s available. People today focus on blocking out or covering up unwanted sound while at the same time\, finding it difficult to both engage with and protect what quality soundscapes exist. Modern society is well practiced at protecting nature in visual and territorial ways to ensure high quality experiences with a variety of landscapes and vistas. Only recently have efforts begun to protect valuable soundscapes. The soundscape of a given environment can be an indicator of its status and vitality. Sound has the ability to communicate in a variety of ways and experiencing these stories provides insight into the value of protecting these spaces. If we are able to protect the natural soundscape\, we will be able to help many other things along the way. \nThe goal of this exhibition is to provide a space for pause\, for reflection\, for a slowing down of focus. Each visit to the exhibition will be a unique experience because the audio works presented are not fixed compositions but are instead\, composed as dynamic systems that respond to a variety of conditions. Works of sonic fiction based on naturesound recordings are presented as a way of both documenting the natural world and connecting with otherwise familiar sounds through a different means of interaction. Data of regional significance is presented as audio to create a listening experience designed using high-frequency data collected from sensors monitoring the quality of the natural world. Through installation-based performances of a naturesound archive and the sonification of environmental data\, listeners can shift their attention to the natural world and reconnect to places that are differently familiar. \nSound has the ability to tell us a great deal. We just have to be willing to take the time to listen. \nYou can learn more about Alex Braidwood’s work by following him on Instagram @formalplay or by visiting his website www.listeninginstruments.com
URL:https://octagonarts.org/event/alex-braidwoods-based-on-a-true-story/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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