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DTSTART;VALUE=DATE:20190830
DTEND;VALUE=DATE:20191110
DTSTAMP:20260508T110913
CREATED:20190812T181926Z
LAST-MODIFIED:20191003T172343Z
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SUMMARY:70K: The Biennial Community of Artists Exhibit
DESCRIPTION:LOCATED IN MAIN GALLERY \nLet’s do a little math! A = πr2 There are 70\,686 square miles in a circle with 150 square mile radius. Thus the name for this exhibit…  70K is a juried exhibition of artists located 150 miles from Ames or nearer. This focus on local and regional artists is an important part of the mission of the Octagon Center for the Arts. \nOpening Reception: August 30\, 2019\, 5-7pm. Awards at 6pm. \n\n \nJuror: \nAllison Sheridan\nMuseum Collections Manager\,\nPublications Coordinator\, &\nFarm House Museum Manager \nSheridan is a two-time Iowa State University graduate with a B.S. in History (’01) and a M.S. in Interdisciplinary Graduate Studies (’11). She began with University Museums at ISU in 2001 as the Education Assistant and has since moved on to the role of Collections Manager\, Publications Coordinator and Farm House Museum Manager. In that capacity\, she is in charge of the many museum collection works of art – over 30\,000! She researches\, coordinates\, authors\, edits and designs all aspects of University Museums’ publications including the popular Campus Beautiful (2015). She is the staff member in charge of the Farm House Museum\, the oldest campus building\, and routinely curates exhibitions\, presents programs and outreach\, provides tours\, and coordinates strategic planning. She has served as the chair of the Ames Public Art Commission\, on the State of Iowa Technical Advisory Network and grant review committees\, Iowa Museum Association conference planning committee\, and recently consulted with the City of Clive on their public art master plan. \n\n \nAccepted Work:\n\n\n\nPenny\nAdam\nBirch Grove 3\n \n\n\nTilda\nBrown Swanson\nOrange Maple Leaf\n \n\n\nNanette\nCatigbe\nThree’s Company\n \n\n\nAnna\nChukharevakhudilayn\nForest Ride\n \n\n\nAnna\nChukharevakhudilayn\nGolden Rider\n \n\n\nRuthellen\nCunnally\nCoral Reef\n \n\n\nRuthellen\nCunnally\nGauze\n \n\n\nJudith\nEastburn\nWild Parsnips\, Elkader Iowa\n \n\n\nCaroline\nFreese\nClaire\n \n\n\nCaroline\nFreese\nDeep Dish Pie Pan with Blue Whale Pattern\n \n\n\nCaroline\nFreese\nRed Fox Face\n \n\n\nJan\nFriedman\nEarth Series: Spiral\n \n\n\nJan\nFriedman\nBefore It’s Too Late\n \n\n\nRex\nHeer\nThinking of Flamingos\n \n\n\nRex\nHeer\nCool Flamingos\n \n\n\nVictoria\nHerring\nWoman in Havana Street\n \n\n\nMarcia\nJoffe-Bouska\nEmblem\n \n\n\nMarcia\nJoffe-Bouska\nSacrifice\n \n\n\nMarcia\nJoffe-Bouska\nEquivalence\n \n\n\nMary\nJohnson\nFaded Bouquet\n \n\n\nHolly\nKellogg\nConstruct\n \n\n\nLinda\nLewis Lieberman\nCow Henge\n \n\n\nLinda\nLewis Lieberman\nJoyous Dawn\n \n\n\nDiane\nMichaud Lowry\nFog Rolling In\n \n\n\nDiane\nMichaud Lowry\nReflections on Sullivan Lake\n \n\n\nPat\nMillin\nIdomeni\n \n\n\nChuck\nOulman\nIn Stockholm\n \n\n\nJarred\nPfeiffer\nTide Pool\n \n\n\nJarred\nPfeiffer\nArctic Circle\n \n\n\nIsaac\nPrior\nMuspelheim Gateway\n \n\n\nIsaac\nPrior\nAsgard Gateway\n \n\n\nJeremy\nRoy\nInsight: Justin and Andrew\n \n\n\nConnie\nSherman\nYellow Dress 89\n \n\n\nConnie\nSherman\nMidnight Dress\n \n\n\nAudrey\nStaples\nWintertime (Grasses)\n \n\n\nTeresa\nTownsend Miller\nMinus One\n \n\n\nRob\nWallace\nThe Naked Truth\n 
URL:https://octagonarts.org/event/70k-the-biennial-community-of-artists-exhibit/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190907
DTEND;VALUE=DATE:20191027
DTSTAMP:20260508T110913
CREATED:20190830T230003Z
LAST-MODIFIED:20190830T233652Z
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SUMMARY:ANGIE HUFFMAN & ROBERT JINKINS
DESCRIPTION:LOCATED IN SWEENEY GALLERY (3RD FLOOR) \n  \nAngie Huffman\nI try to render scenes from generally unremarkable life events that bring me joy when I first see them. Though mundane\, they reach out with a harmonious balance of composition and color. Quiet and wordless\, they imply a visual narrative and ask for further consideration. Transporting these moments in time onto canvas allows me freeze them in a state where others also have the opportunity to reflect on their harmony. Hopefully the viewer will to go forth and find unexpected moments of personal radiance in their daily lives as well\, like mindfulness meditation for the visual soul. Beauty and the mundane do not need to be not mutually exclusive. \nI have called my work portraits for lack of a more accurate term\, but I never feel their environments are subservient to their figures. They work together and do not compete. My source material is captured when life’s visual variables align in a fortuitous way and beg to be documented or (more commonly) is found in photographs previously judged unremarkable and left in storage. Painting a scene gives me ownership over every element in a way photographic reproduction could not\, and the level of control I crave in all things. \nSome critics have argued that realism is an outdated relic\, perfected centuries ago and more recently replaced with photographic reproduction. I have never understood how reality\, true human existence\, could be unilaterally discounted. Now more than ever (in my short lifetime)\, reality itself is attacked and called into question. What better time to embrace realism once again? \nEveryone sees the world through their own eyes\, but the fabric of existence is still the same. With the endless problems and downfalls that life has\, I will always focus on and celebrate what positivity it does provide. \nAngie Huffman was born and raised near Dallas\, Texas. She graduated from the University of North Texas with a BFA in Drawing and Painting in 2010. The school’s focus on contemporary and postmodernist work challenged her to find a way to act on her attraction to realism and portraiture while avoiding banality. \nIn 2014\, after critical evaluation of her everyday life\, Huffman relocated to Eastern Iowa. Lower costs of living and a healthier work-life balance have allowed her to devote more time and energy to her paintings. Her work has been included in exhibitions in Texas and throughout the Midwest. \nhttp://angiehuffman.com/ \n \nRobert Jinkins\nGrowing up on a farm that has been in my family since 1849\, I gained an admiration and reverence for the land that so many of my family members have worked upon. Like ghosts or spirits that walk the place\, monument-like markers exist signifying the actions and lives of those who came before me: a tractor may remain parked as it has been for years since the last time it was driven; a broken crock full of metal now slowly sinks into the earth under years of maple leaves falling from the massive trees that my grandfather planted when he was six year old. I find stories on this farm and record them in my art. Recent additions to the farm and surrounding landscape\, like some older relics\, have almost cosmic significance to me—a dead cow in a low-lying pasture may represent sin\, death\, and redemption. I enjoy painting every blade of grass while allowing a disconcerting ambiguity to lurk below the surface in order to encourage viewers into a deeper dialogue with the paintings. The entire world is portrayed within each individual line of graphite or stroke of acrylic ink from which my drawings and paintings are woven. \nRobert Jinkins is currently an MFA student at Iowa State’s Integrated studio arts program and a graduate of the University of Wisconsin Platteville. Robert Jinkins is an emerging regional artist whose graphite and acrylic mixed media work focuses upon the people and landscape of the Midwest. Much of Robert’s subject matter comes from the family farm in Wisconsin that was homesteaded by an ancestor in 1849. In his work\, strives to reflect the  strength of the people and their history. \nhttps://robertjinkins.carbonmade.com/
URL:https://octagonarts.org/event/to-be-determined-angie-huffman-robert-jinkins/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190914
DTEND;VALUE=DATE:20191103
DTSTAMP:20260508T110913
CREATED:20190830T230729Z
LAST-MODIFIED:20190830T231139Z
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SUMMARY:Surface Works PETE GOCHE
DESCRIPTION:LOCATED IN THE COMMUNITY GALLERY (1st FLOOR/STREET LEVEL) \nArtist Statement\nUsing site-adjusted installations as my primary mode of practice\, I deploy an integrated and focused approach to both theoretical and practical questions pertaining to the nature and impact of materiality specific to the re-occupation of post-industrial spaces. My works provoke a temporal-spatial encounter that reconciles the simultaneous and complex nature of cerebral and corporeal experience. Each inquiry utilizes a range of domains including art\, architecture and anthropology as a means of exploring not only what material cultivations can be\, but also what they\, in fact\, do. Based on a series of modulated experimental actions (material modalities)\, each installation is driven by the nascent possibility of a persistent desire to intercourse with existing material surrounds pursuant a philosophical position that leverages perceptual notions of chiaroscuro – the disposition of light and dark. By extension\, the conscious and unconscious\, the seen and the unseen\, focus and open awareness and the made and re-made are factors in the realm of understanding and producing space. It is a full-scale\, three-dimensional methodology that is followed by exploratory drawing and photography as a means to express its affects (immaterial harmonics). \nArtist Bio\nPeter P. Goché is a practicing artist\, architect and educator. Goché works with the nature of perception and spatial phenomenon in developing his material practice. His works provoke a temporal-spatial encounter that understand the simultaneous and complex nature of cerebral and corporeal experience. He is founder and executive curator of Black Contemporary\, a rural field station dedicated to the study of spatial phenomena and perception. His research on material practices has been published in a number of edited books and journals\, including Architecture as a Performing Art (Ashgate\, 2013) and Architecture and Culture (Routledge Taylor & Francis Group\, 2016). Goché has exhibited and lectured on his creative practice and scholarship at many conferences and cultural institutions throughout North America and Western Europe. He has lead multiple academic workshops including “CautionWet Floor: Slipping Into Deep” at the 2014 Venice Architecture Biennale (Venice\, Italy). As educator in the Department of Architecture and foundational design at Iowa State University\, Goché holds both B. Arch and M. Arch degrees in architectural studies from Iowa State University. He taught in the Department of Art at Drake University before joining the faculty at the Iowa State University. \nhttp://www.goche.com/
URL:https://octagonarts.org/event/surface-works-pete-goche/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Chicago:20190917T180000
DTEND;TZID=America/Chicago:20191022T210000
DTSTAMP:20260508T110913
CREATED:20190814T000014Z
LAST-MODIFIED:20190828T220203Z
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SUMMARY:Wheelthrowing: Ceramic Bowls and Mugs\, ages 16+ (SEPT/OCT)
DESCRIPTION:Wheelthrowing: Ceramic Bowls and Mugs\nAges: 16 years old and up \nTime/Day: Tuesdays\, 6 – 9 pm \nDates: (6 weeks) September 17 – October 22 \nCost: $165 includes 25lbs. of clay\, all glazes and firing. [Tuition: $135 + Clay/Glazes/Firing: $30] \nDescription: Students at all skill levels will learn\, review and hone wheel throwing techniques from wedging to glazing. Students will have finished bowls at the end of the course. \nInstructor: Suzy Block \nLocation: Ceramics Studio \nClass Limit: 7 \nRegistration closes when the class fills or on at 6am on 9/13/19. Students cannot be added after the registration closes. \n\nTo register: \n\nscroll down to the “Tickets” section near the bottom of this page\nenter the number of “tickets” you want  (one ticket per student)\nclick “add to cart”  \ncomplete the contact information form that appears after you add a ticket\ncomplete the payment information\ncheck your email for your receipt\n\nPlease note: \n\nStudents cannot be added after the registration closes.\nOctagon members receive class discounts. Please login before registering for classes and your discount will be applied automatically.\nIf you are not a member\, but would like to join\, click here. Purchase your membership first. Then login and proceed as noted above to receive your discount. Your discount will not be applied unless you are logged in.\n\nPlease contact us with any registration questions or concerns. Click here to send a message. Thanks for supporting arts education at the Octagon!
URL:https://octagonarts.org/event/7936/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
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DTSTART;TZID=America/Chicago:20190923T180000
DTEND;TZID=America/Chicago:20191014T210000
DTSTAMP:20260508T110913
CREATED:20190820T231431Z
LAST-MODIFIED:20190828T220038Z
UID:8044-1569261600-1571086800@octagonarts.org
SUMMARY:Intermediate Oil Painting\, ages 16+ (SEPT/OCT\, 4 weeks)
DESCRIPTION:Intermediate Oil Painting\nAges: 16 years old and up \nDay / Date / Time: Mondays\, September 23 – October 14(4 weeks)\, 6 – 9 pm \nCost: $140 \nDescription: Suitable for beginning/intermediate experienced painters who would like to dive deeper and paint with others. This 4 – week intensive class will include work done in the classroom as well as homework between sessions. Each week we will focus on a specific skill: composition\, color\, paint application\, and completing a painting. Please bring an apron or wear appropriate painting clothes. See supply list below for required materials. \nInstructor: Sara Merritt \nLocation: North Studio \nClass Limit: 12 \nSupplies: \nPlease bring the following supplies. The Octagon will have some palette knives\, some brushes\, limited student oil painting kits available for students to borrow if needed. \n\n\n\nPaint (titanium white\, zinc white\, alizarin crimson\, cadmium red light\, cadmium yellow\, lemon yellow\, yellow ochre\, ultramarine blue\, Prussian or pthalo blue\, raw umber\, raw sienna\, burnt umber\, burnt sienna\, van dyke brown\, mars or ivory black)\nBrushes (mostly hog’s hair/stiff bristle brushes in various sizes\, and some soft bristle/sable brushes in various sizes)\nPaper palettes and cardboard or other support\nMasking tape\nColor wheel (I can bring this if needed)\n12 x 16 stretched canvas per person\nEasels (standing and/or tabletop)\nTurpenoid or Gamsol\nRags & glass jars with lids\nRefined linseed oil\nPalette knives (metal\, various)\nBaby oil (optional)\n\n\n\nRegistration closes when the class fills or on at 6am on 9/13/19. Students cannot be added after the registration closes. \n\nTo register: \n\nscroll down to the “Tickets” section near the bottom of this page\nenter the number of “tickets” you want  (one ticket per student)\nclick “add to cart”  \ncomplete the contact information form that appears after you add a ticket\ncomplete the payment information\ncheck your email for your receipt\n\nPlease note: \n\nStudents cannot be added after the registration closes.\nOctagon members receive class discounts. Please login before registering for classes and your discount will be applied automatically.\nIf you are not a member\, but would like to join\, click here. Purchase your membership first. Then login and proceed as noted above to receive your discount. Your discount will not be applied unless you are logged in.\n\nPlease contact us with any registration questions or concerns. Click here to send a message. Thanks for supporting arts education at the Octagon!
URL:https://octagonarts.org/event/intermediate-oil-painting-ages-16-sept-oct-4-weeks/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190928
DTEND;VALUE=DATE:20191027
DTSTAMP:20260508T110913
CREATED:20190830T231807Z
LAST-MODIFIED:20190830T231807Z
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SUMMARY:A Prairie Seed AUTUMN ROZARIO HALL
DESCRIPTION:LOCATED IN THE SMALL WALL GALLERY \nArtist Statement\nI first fell in love with the prairie when studying art at UNI. Wandering the twisting paths of the restored prairie calmed my mind. As I drank in grasshopper droning\, late summer’s scent of grass\, the pollen\, the leaves\, and the many colors\, I felt grounded and renewed. The prairie sang to me in a way that allowed me to simply be. I began my prairie series after I moved to Des Moines. I immersed myself in the local prairie\, sketching and collecting photos\, and samples for reference. I wanted this series to capture the feelings I had while wandering those prairie paths. This idea blossomed into the series Prairie Seed Dreaming. The series explores the relationship between woman\, plant\, and pollinator\, through botanically accurate renderings of native plants\, and dreamlike imagery of women immersed in the prairie\nlandscape. As the divide between woman and prairie blurs\, the roles separating them blur\, each becoming wholly dependent on the other. Through these paintings I invite the viewer into the prairie. I will use this series to raise awareness about the importance of prairie restoration and open a dialogue about the benefits of planting natives for both pollinators and people. \nArtist Bio\nAutumn Rozario Hall is a painter\, dreamer\, and collector of stories. Autumn grew up by the banks of the Mississippi river. Although she lived in town\, she always sought the wild places\, where the brambles overran the houses\, and the gardens outgrew their yards. These wild places inspire her art which seeks to capture a sense of wonder. Autumn currently lives in Des Moines\, Iowa and works in acrylic and mixed media. She had her first solo exhibition in 2014\, and has since participated in group shows in several states including\, California\, Maryland\, Texas\, Michigan\, Iowa\, and one international show in Portugal. She also participates in community art projects\, and is a member of the Urbandale Art Gallery Committee. Her work explores folklore and human connectivity to nature. \nhttps://www.autumnrozariohall.com/
URL:https://octagonarts.org/event/a-prairie-seed-autumn-rozario-hall/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190928T090000
DTEND;TZID=America/Chicago:20191012T103000
DTSTAMP:20260508T110913
CREATED:20190814T004353Z
LAST-MODIFIED:20190925T161539Z
UID:7951-1569661200-1570876200@octagonarts.org
SUMMARY:Comic Book Class\, ages 8-13 (SEPT/OCT)
DESCRIPTION:Comic Book Class\nAges: 8-13 years old \nDay/Time: Saturdays\, 9 – 10:30 am \nDates: September 28 – October 12 (3 weeks) \nCost: $70 \nDescription: Learn the basics of what it takes to create your very own comic book. Students will learn basic layout and design\, Story structure\, and how to create effective dialogue.  \nInstructor: Tim Read \nLocation: Adams Studio \nClass limit: 12 \nRegistration closes when the class fills or on at noon on 9/26/19. Students cannot be added after the registration closes. \n\nTo register: \n\nscroll down to the “Tickets” section near the bottom of this page\nenter the number of “tickets” you want  (one ticket per student)\nclick “add to cart”  \ncomplete the contact information form that appears after you add a ticket\ncomplete the payment information\ncheck your email for your receipt\n\nPlease note: \n\nStudents cannot be added after the registration closes.\nOctagon members receive class discounts. Please login before registering for classes and your discount will be applied automatically.\nIf you are not a member\, but would like to join\, click here. Purchase your membership first. Then login and proceed as noted above to receive your discount. Your discount will not be applied unless you are logged in.\n\nPlease contact us with any registration questions or concerns. Click here to send a message. Thanks for supporting arts education at the Octagon!
URL:https://octagonarts.org/event/comic-book-class-ages-8-13-sept-oct/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
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