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DTSTART;VALUE=DATE:20180406
DTEND;VALUE=DATE:20180520
DTSTAMP:20260521T161615
CREATED:20180729T220421Z
LAST-MODIFIED:20180806T174108Z
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SUMMARY:Nice Life  DAVID PARKER
DESCRIPTION:Nice Life \nDAVID PARKER \nApril 6 – May 19\, 2018 \nCOMMUNITY GALLERY \nUsing a limited palette of pine\, maple\, vinyl\, griptape\, and spray enamel I’m looking at the material language of subculture. The work is an abstract look at the outsiders: skaters\, rockers\, hippies\, artists\, stoners\, goths\, shoegazers… and how they project their identity to outsiders and signal their place within their own community. The work has been limited to four standard sizes referencing how they adorn their bodies and our personal spaces sizes 6”x 8” Pins/Patches\, 13” x 11” T-shirts\, 40” x 40” Posters\, and 40” x 84“ Banners.
URL:https://octagonarts.org/event/david-parkers-nice-life/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180419
DTEND;VALUE=DATE:20180506
DTSTAMP:20260521T161615
CREATED:20180729T220934Z
LAST-MODIFIED:20180730T205317Z
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SUMMARY:Elem/Mid/High 2018
DESCRIPTION:Elem/Mid/High 2018 \nAn Annual Exhibition of Local Elementary\, Middle\, and High School Senior Students \nApril 19 – May 5\, 2018 \nMAIN GALLERY & SWEENEY GALLERY \nThe Octagon Center for the Arts showcases artwork by local elementary\, middle\, and high school students annually. High School art instructors from schools within 20 miles of the Octagon Center for the Arts are welcome to register students in their fall and spring classes for participation.
URL:https://octagonarts.org/event/elem-mid-high-2018/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180511
DTEND;VALUE=DATE:20180729
DTSTAMP:20260521T161615
CREATED:20180730T212331Z
LAST-MODIFIED:20180806T173931Z
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SUMMARY:Field Notes  DANIELLE CLOUSE GAST
DESCRIPTION:Field Notes \nDANIELLE CLOUSE GAST \nMay 11 – July 28\, 2018 \nMAIN GALLERY \nGrowing up and living in Northwest Iowa\, routes to and from different towns have been memorized and have only seemed to slightly change over the years. \nThe landscape has become the welcome constant in my daily life when driving place to place. But on many occasions\, when the intention is to truly “see” the landscape (still often from the car window)\, beautiful\, abstract things can be found that are not that far removed from what is truly there. \nWhat do I look at? Shadows running down a ditch. Fence posts creating not only borders\, but lines reaching up into a horizon. Corrugated metal siding on a building that has turned a warm rust orange. Wonderfully organized grove lines and plant rows whose placed structure en mass pulls away from its individual organic shape. The same routes\, the same landscapes\, viewed at different times of day and different times of year. \nNew to the body of work within the last few years has been the inclusion of a husband with a pilot’s license – allowing a new view of this landscape I thought I knew well. This new perspective on the area has opened up doors of new compositions\, color possibilities\, and most importantly\, emphasized the style I usually employ in my paintings: organized\, geometric lines and breakdown of the familiar landscape. \nThough often ignored and occasionally referenced in conversation by local landmarks\, this section of Iowa landscape is the classic subject matter I have chosen to employ in my work. Due to this focus\, venturing from small town to small town usually lends itself more to research than travel.
URL:https://octagonarts.org/event/danielle-clouse-gasts-field-notes/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180518
DTEND;VALUE=DATE:20180812
DTSTAMP:20260521T161615
CREATED:20180730T212538Z
LAST-MODIFIED:20180806T173851Z
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SUMMARY:Based on a True Story  ALEX BRAIDWOOD
DESCRIPTION:Based on a True Story \nALEX BRAIDWOOD \nMay 18 – August 11\, 2018 \nSWEENEY GALLERY \nSound is an important aspect of the world around us. It tells a great deal about our surroundings when we take the time to listen. Listening requires time to experience because sound requires time to exist. In today’s fast-paced culture\, deeper levels of engagement have become increasingly rare. Add to this the common positioning of sound as a background element or object of distraction and what remains is little opportunity\, inspiration\, or perceived value in the act of listening to what’s available. People today focus on blocking out or covering up unwanted sound while at the same time\, finding it difficult to both engage with and protect what quality soundscapes exist. Modern society is well practiced at protecting nature in visual and territorial ways to ensure high quality experiences with a variety of landscapes and vistas. Only recently have efforts begun to protect valuable soundscapes. The soundscape of a given environment can be an indicator of its status and vitality. Sound has the ability to communicate in a variety of ways and experiencing these stories provides insight into the value of protecting these spaces. If we are able to protect the natural soundscape\, we will be able to help many other things along the way. \nThe goal of this exhibition is to provide a space for pause\, for reflection\, for a slowing down of focus. Each visit to the exhibition will be a unique experience because the audio works presented are not fixed compositions but are instead\, composed as dynamic systems that respond to a variety of conditions. Works of sonic fiction based on naturesound recordings are presented as a way of both documenting the natural world and connecting with otherwise familiar sounds through a different means of interaction. Data of regional significance is presented as audio to create a listening experience designed using high-frequency data collected from sensors monitoring the quality of the natural world. Through installation-based performances of a naturesound archive and the sonification of environmental data\, listeners can shift their attention to the natural world and reconnect to places that are differently familiar. \nSound has the ability to tell us a great deal. We just have to be willing to take the time to listen. \nYou can learn more about Alex Braidwood’s work by following him on Instagram @formalplay or by visiting his website www.listeninginstruments.com
URL:https://octagonarts.org/event/alex-braidwoods-based-on-a-true-story/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180701
DTSTAMP:20260521T161615
CREATED:20180729T215821Z
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SUMMARY:Empty Dresses  PAULA STREETER
DESCRIPTION:Empty Dresses \nPAULA STREETER \nMay 25 – June 30\, 2018 \nCOMMUNITY GALLERY \nEmpty Dresses as a concept was conceived half a lifetime ago while attending the estate auction of an early Swedish immigrant to the Midwest. Among the many hand crafted items from the latter half of the nineteenth century were two intricately and nearly identically embroidered\, grayed with age\, christening gowns that decades earlier were wrapped in brown paper and bound with string.  Many auction attendees commented how the handmade lace and frill represented a lost art and a few identified the embroidered flowers as symbols of hope\, innocence and good fortune. No one commented on the fact that one of the gowns\, nearly three feet in length\, was tied into a knot. \nThis image never left and as time has passed\, other dresses have inspired narratives that have been added to my mind’s eye gallery: the young girl’s exquisite Edwardian summer dress with grass stains down the length of the back carefully starched and preserved in a box\, the 1870 calico dress with patches upon patches found in a bag of fabric once destined to be recycled into pieces for a quilt\, and the 1960’s wedding dress stained with an unknown substance and with the right sleeve detached. \nRather than “the individual can make the dress”\, “the dress can fashion the story” is the focus of commemorating and creating two-dimensional narratives based on the dress. Much more than an exclusive statement or expression\, couture or style\, dress is or has been a gauge of social standing and taste\, a sustainer of emotional and physical stability or vulnerability\, the outward expression of modesty or blatant sexuality\, or used for the concealment or revelation of historic\, cultural and ethnic identity. Dress can stimulate strong reactions and judgements or offer the ability to blend into the scenery\, support individuality through the expression of craft\, skill and creativity or acceptance of mass production and/or mediocrity. \nThe very assortment of materials from which dresses are fashioned; silk brocade to buckskin\, patterned or plain\, worn\, torn and wrinkled or starched and crisp\, as well as the potential to manipulate the form\, offer great possibilities for the development of visual narratives through the rendering the dresses. \nIn the summer of 2016\, the 125-year-old “work of art” became the muse for the translation of the knotted Christening gown to a two-dimensional rendering in sterling silver metal point on board entitled Not and Empty Dresses commenced. Empty Dresses has developed into three thematic series; Childhood Lost illustrating children’s dresses and experiences done in charcoal\, colored pencils\, pastels\, graphite and watercolor\, Handled a series depicting the hand engaged with dress and executed primarily in colored pencil and water color and Historic Media exploring women in history as represented by their dress rendered in egg tempera\, metal point\, encaustic\, handmade inks and charcoals (supported in part by the Iowa Arts Council and National Endowment for the Arts). \nThe breadth of subject matter spurred by the many facets of dress and the dramatic effects of dress as a vacant vessel leave me to believe that Empty Dresses will expand into a multitude of series and continue to inspire.
URL:https://octagonarts.org/event/paula-streeters-empty-dresses/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180706
DTEND;VALUE=DATE:20180812
DTSTAMP:20260521T161615
CREATED:20180730T212023Z
LAST-MODIFIED:20180806T173704Z
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SUMMARY:Grilling Ice  LEE RAINBOTH
DESCRIPTION:Grilling Ice \nLEE RAINBOTH \nJuly 6 – August 11\, 2018 \nCOMMUNITY GALLERY \nThis exhibit examines the ways that matters of mortality and masculinity manifest themselves in a contemporary Haitian context. Too often for young men in Haiti the way that they express their masculinity becomes a matter of survival itself. In an environment where simply surviving daily life can become an act of rebellion\, young Haitian men end up constructing layers of masculine identity to protect themselves against the near impossible circumstances that they find themselves in. This collection of work focuses on stripping away those layers that define life for young Haitian men. The majority of my subjects in these pieces are nudes to show them at their most authentic and most vulnerable selves underneath the impenetrable facades that they enshroud themselves in. Life expectancy for men in Haiti is 60.98 years so by the time they reach the age of 30\, Haitian men can expect that they’ve lived half of their life on this earth already. All of the subjects of my paintings are under the age of 30 and are good friends of mine. They are individuals that I see wrestle with these matters every day as their lives depend on what emotions they choose to show and how much strength they carry themselves with. So the way that I depict them represents how they embody the contradictions of their own manliness. The culture of Haiti embodies many contradictions of hetero-masculinity on a macro scale. Men are expected to be tough and defensive but they can also show signs of affection with other male friends that would been seen as taboo in other cultures. They have to confront the negative stereotypes of indulging in sex\, alcohol\, and rap music\, while also demonstrating proof of their masculinity by indulging in those very things. My work weaves the influence of such a culture with the personal experiences of the actual subjects of the paintings. It is intended to reach beyond the stereotypes to portray a more nuanced understanding of what it means to be a young man in Haiti. It is an exploration of how these young men can become more than what they are perceived to be. \nThe title references a response to the question\, “How’s it going?” that my friends depicted in the paintings frequently say. “Oh\, you know\, we’re just out here grilling ice.” It signifies the difficulties of life as a young Haitian male where one might feel like they are constantly working towards something\, but are backtracking rather than making progress. After you’ve worked to freeze the water to turn it into ice\, you just throw it on the grill and make it vaporize. That’s what life in Haiti as a young man can feel like. Nothing lasts long and all the hard work you do to advance in life often feels in vain. Much too often if feels like you’re just finding a way to pass the time until death comes and your life vaporizes in an instant as well. \nThe techniques used to create the pieces in this exhibit include a number of different cultural and spiritual influences that all contribute to the layered experience of young Haitian men. The sequined designs used in many of my pieces are inspired by the use of sequins in Haitian voudun traditions\, specifically in the ritual flags that are used in ceremonies to bring individuals in trance-like experiences with the spirit world. I also integrate designs such as veve’s which are symbols representative of voudun lwas or spirits that focus on intersections\, as well as mandalas which come from South Asian cultures such as Nepal\, which maintains a complicated relationship to Haiti related to the devastating earthquake of 2010 and the cholera epidemic that followed. Traditional bogolan mud cloth textiles are also used in several pieces representing the complex history of slavery and ancestral roots of Haitian identity that lies in West Africa. All of these are combined with my own traditional training in figure painting and portraiture a nuanced story of identity connected to spirit and place.
URL:https://octagonarts.org/event/lee-rainboths-grilling-ice/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180811T080000
DTEND;TZID=America/Chicago:20180811T123000
DTSTAMP:20260521T161615
CREATED:20180717T022903Z
LAST-MODIFIED:20180724T015410Z
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SUMMARY:The Octagon at the Farmers' Market
DESCRIPTION:Join us this summer at the Ames Main Street Farmers’ Market! \nSecond Saturdays (June — Saturday)* \n\nJune 9\nJuly 14\nAugust 11\nSeptember 8\n\nVisit us in Tom Evans Park (Main Street) for FREE craft activities for the kids. You can also pick up information about classes\, workshops\, exhibits\, and more.  \nSee you there! \n*May be cancelled in the event of severe weather.
URL:https://octagonarts.org/event/the-octagon-at-the-farmers-market/2018-08-11/
LOCATION:Ames Main Street Farmers’ Market
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://octagonarts.org/wp-content/uploads/2018/07/Farmers-Market-kid.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180816T170000
DTEND;TZID=America/Chicago:20180816T190000
DTSTAMP:20260521T161615
CREATED:20180725T031021Z
LAST-MODIFIED:20180806T182027Z
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SUMMARY:Gallery Night with Joanne Alberda
DESCRIPTION:Join us for a FREE reception with artist Joanne Alberta in the Community Gallery! \nArtist Talk by Joanne Alberta at 6:30pm \nTales from a Ghost Town by JOANNE ALBERDA is on display August 17 – September 29\, 2018 \nVirginia City is a ghost town—the skeleton of a booming Montana gold mining camp in the late 19th century. As a museum it is the record of one of hundreds of get-rich-quick dramas related to the search for gold in the American West. Some buildings in the city and in the area around it have been abandoned and qualify as “ghosts.” When I was a child my family visited Virginia City many times\, a day long outing. Years later\, returning to Montana to visit family\, I revisited Virginia City with my camera in the fall of 2009\, 2010\, and 2011. By that time the tourists were gone\, and the place did feel like a ghost town. The silence of this “dead” place gives the viewer time to examine the drama of decay. Empty rooms and broken doorways invite speculation about the lives of people long gone\, but the decaying wood invited me to search out another story\, the life of a living material that grew and developed\, was cut and used by hands both skilled and unskilled\, and finally left to dry and rot. Documenting the evidence of time through photography I was moved to capture some of these “tales” with hand dyed fabric\, created by the ungoverned mixing of colors\, which often resembles the growth patterns observed in cut and decaying wood. I have been creating these works over the past several years with various shades of the gray and rusty reds of decaying wood. Recently I visited an exhibition of works by Clifford Still\, whose content and style reminded me very much of the decayed wood\, but his use of bright colors encouraged me to expand my color choices. \nIn this exhibition I have included a few images of the town and area as it exists today\, some digitally manipulated images of decaying wood\, and textile works that were inspired and nourished by the images of wet and decaying wood.
URL:https://octagonarts.org/event/gallery-night-with-joanne-alberda/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Events
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180817T091500
DTEND;TZID=America/Chicago:20180817T103000
DTSTAMP:20260521T161615
CREATED:20180723T213527Z
LAST-MODIFIED:20180816T165408Z
UID:2193-1534497300-1534501800@octagonarts.org
SUMMARY:Friday Morning Art Projects\, ages 6 - 11 
DESCRIPTION:Friday Morning Art Projects\, ages 6 – 11 \nFriday\, August 17\n9:15 – 10:30 am\n$15\nStudents will learn and create using a variety of printmaking methods and materials.\nClass limit 10 students.\nInstructor: Beth Weninger\nHunziker/Adams Studios
URL:https://octagonarts.org/event/friday-morning-art-projects-ages-6-11/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://octagonarts.org/wp-content/uploads/2018/07/printmaking.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180819T130000
DTEND;TZID=America/Chicago:20180819T150000
DTSTAMP:20260521T161615
CREATED:20180723T214257Z
LAST-MODIFIED:20180814T011201Z
UID:2196-1534683600-1534690800@octagonarts.org
SUMMARY:Natural Dyes: Serendipity Dyeing with Flowers\, Berries\, Leaves and More
DESCRIPTION:Natural Dyes: Serendipity Dyeing with Flowers\, Berries\, Leaves\, and More\nSunday\, August 19\n1 – 3 pm\n$55\nLearn to dye silk scarves and cotton fabric with a huge variety of easy to obtain dye materials. We will use fresh garden flowers\, herbs\, and leaves\, as well as a variety of materials (copper pennies\, spent teabags\, berries\, kitchen spices and much more). You will create and take home your own custom dyed 11” x 60” silk scarf and one fat quarter of cotton fabric. Take advantage of the dyestuff and dye as many scarves/fabric you like for an extra small fee.\nInstructor: Maggie Howe\nNorth Studio
URL:https://octagonarts.org/event/natural-dyes-serendipity-dyeing-with-flowers-berries-leaves-and-more/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://octagonarts.org/wp-content/uploads/2018/07/maggie-howe.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180820T093000
DTEND;TZID=America/Chicago:20180821T113000
DTSTAMP:20260521T161615
CREATED:20180723T211924Z
LAST-MODIFIED:20180816T171650Z
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SUMMARY:Kinder-Camp! Ages 5 – 6
DESCRIPTION:Monday & Tuesday\, 9:30 – 11:30 am\nAugust 20 & 21\n$50\nThis mini – camp is intended for students entering kindergarten in the fall. Artist-inspired mixed media projects will make for a fun morning of art. Please provide a small snack and water for your child each day of camp.\nClass size limit 12\nInstructors: Cathie Gebhart and Beth Weninger
URL:https://octagonarts.org/event/kinder-camp-ages-5-6/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
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