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SUMMARY:The Art of Climate Planning
DESCRIPTION:LOCATED IN THE COMMUNITY GALLERY \nThe Art of Climate Planning is produced by The EcoTheatre Lab and funded by a City of Ames Small Art Grant. The project is inspired by the City of Ames’ commitment to developing a climate action plan in the coming months. The EcoTheatre Lab commissioned seven local artists to develop art pieces with the aim of encouraging community participation in the climate action planning process. These art pieces will be displayed in various community spaces through March 2022. A big thank you to everyone involved in the Octagon Center for the Arts’ Outrage to Change Project in Summer 2020\, which inspired the structure for The Art of Climate Planning.  \nAbout The EcoTheatre Lab: The EcoTheatre Lab is a small collective of three Ames artists (Charissa Menefee\, Taylor Sklenar\, and Vivian M Cook). They partner with fellow ISU and Ames artists and community members to produce arts events that build community and engage audiences in sustainability conversations. They approach their work from an asset-based perspective\, examining the many assets that exist within our community and identifying ways to amplify and build on those assets through art. Follow The EcoTheatre Lab on Facebook and Instagram.  \nWork in image by Keygan Sands. \n 
URL:https://octagonarts.org/event/art-of-climate-planning/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20211113
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SUMMARY:AMENDA TATE
DESCRIPTION:LOCATED IN THE COMMUNITY GALLERY \nArtist Statement: \nIn Latin\, the word Manibus means “from the hand.” I created the Manibus robotic painting device to utilize as an extension of the artist’s hand. A dancer wears a motion-sensing remote directing Manibus to render an artistic depiction of elapsed time and motion. Using this tool\, I capture and translate the movement and visceral dynamics of dance into painted works of art.  \nI facilitate collaborative processes as a director combining the necessary components for creating the work of art. With a nod to Abstract Expressionism\, I allow for spontaneity in the mark\, but utilize my own set of constraints to orchestrate order in the process. I determine the scale\, width of the brush\, the color\, the starts and stops\, while resigning myself to accept some aspects of the output as they occur.  In the spirit of Happenings\, I encourage the contribution of creative energy within a prescribed structure.  \nMy process yields an observable abstract representation of what has transpired. It is an opportunity to analyze the fleeting movements of dance. The works take shape as dynamic linear renderings that embody kinetic verve. The emotion of the dance becomes a painted vestige honoring that instance in time. The lingering traces are mapped connections facilitated by social interaction\, art\, engineering\, and technology. \nMy work explores how art and dance can be utilized in a participatory way to cross societal divides\, break down barriers and increase empathy through tangible and embodied interactions.  Through imagination\, curiosity\, and courage\, we can increase our self-awareness to grow introspectively and consciously thereby enabling us to better understand the experiences of others. I have been conducting happenings/events that encourage public participation in the performative and improvisational creation of a collaborative work of art as a means to explore social structures and confirm connections to being emotionally intelligent humans. \nThis work questions responsible use of technology\, the construction of identity in a socially digitized world\, authorship and ownership\, privacy\, and legacy.
URL:https://octagonarts.org/event/amenda-tate/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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