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SUMMARY:2023 Elementary/Middle/High School Annual Student Show
DESCRIPTION:The Octagon Center for the Arts highlights artwork by local elementary\, middle\, and high school students annually. \n \n\n\n\nGRADES K – 8 (Virtual):\nSHOW DETAILS: \n\n\n\nGoogle Form Submission Due: 5 pm\, Saturday\, April 1\, 2023\nVirtual Exhibit Opening: Monday\, April 17\, 2023\nArt from Grades K – 8 will be displayed virtually.\nEach elementary and middle school student may submit one piece to exhibit. \n\n\n\n\nENTRY REQUIREMENTS: \n\n\n\nAll submitted artwork must be entered into the Google Form by April 1st at 5:00 pm to be included in the show.\nAll media will be accepted.\nPhotographic reproduction of entries may be used or copied by the Octagon Center for the Arts\, without further agreement by the artists\, for exhibition and/or publication (print or online). Artwork may not be credited in publications due to space limitations.\n\n\n\n \nGRADES 9 – 12:\nIMPORTANT DATES: \n\n\n\nShow Opening in the Community Gallery: Monday\, April 17\, 2023\nReception: Thursday\, April 20\, 2023\, 4:00-5:30pm in the Community Gallery. Our juror will announce high school awards and share comments on the show.\nShow Closing in the Community Gallery: Saturday\, May 13\, 2023\n\n\n\n\nENTRY REQUIREMENTS: \n\n\n\nIf you are a 9-12 art instructor or homeschool parent and would like to enter your students’ work into the show\, please email the Gallery Director to recieve a copy of the complete submission guidellines.\nEligible high schools or homeschool students must be located within 20 miles from Ames.\n\n\n\n\n \n\n\n\n\n\n\n2023 EXHIBIT JUROR: SUSAN NORRIS \n \nSusan Norris\, an Ames artist\, is a human magpie. Walk with her and you’ll witness her exclaim as she picks up a bit of rusty metal or a shard of plastic. Variety is the spice of Norris’ life from the colors\, patterns and textures of her thrifted clothing and garden to the way she sets a table. \nShe is a scrappy collector and determined connector who can stitch Humpty-Dumpty back together again in a variety of imaginative ways. During the 2021 Ames Artist Studio tour folks asked\, “How did you think of so many different ways to put things together?” \nNorris is passionate about rescuing discarded objects\, likening them to discarded people. The process of finding\, sorting and grouping objects inspires ideas for expression through assemblage. Norris is currently experimenting with ways to combine her lifelong love of hand stitching and her newfound interest in mending with found object art. \n\n\n\n\n  \nQUESTIONS?\nContact: Casey Bridgham\, Gallery Director \nAddress: 427 Douglas Avenue\, Ames\, IA 50010 \nPhone: 515-232-5331 \nEmail: exhibits@octagonarts.org \n 
URL:https://octagonarts.org/event/2023-elementary-middle-high-school-annual-student-show/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Events,Exhibits
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DTSTART;VALUE=DATE:20221119
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SUMMARY:WHAT'S THE BUZZ? [explorations in handmade paper]: Dawn Wohlford
DESCRIPTION:Artist Statement:\nI could be the Poster Child for the slogan “Reuse\, Reduce\, Recycle.” Handmade paper is the basis for the majority of my artwork\, but I often incorporate\, weave or build using other found materials. I use old clothes\, dead plants\, shredded money\, and items such as old doormats (made of natural fibers) to make paper pulp. I cast or incorporate pieces of rusty metal\, vintage glass\, bicycle inner tubes\, leather and anything else that catches my eye. Pieces are often finished with pigment to achieve the appearance of metal.  \nMy approach to art making is methodical. Each piece is carefully planned and goes through several time intensive processes before reaching its final state. Each stage informs and alters the finished piece. The finished piece aspires to be both a beautiful object and a thought provoking or humorous reflection. \nMost recently\, the plight of bees\, as well as the construction of their hives (which is a form of papermaking) has captured my interest. Recent pieces reflect thoughts about the structure of beehives and how they are similar to human homes as not only a supposedly safe haven\, but a place to work and create. \nAbout the Artist:\nSculptural paper artist Dawn Wohlford discovered handmade paper during a National Art Educators conference in 1983\, while she was a junior at Truman State University. She returned to college and read everything she could find about making paper\, then began experimenting with handmade screens\, an old blender and recycled paper\, using her bathtub as a vat. Using these crude supplies\, she was able to create art for her Senior Show and earned a Bachelor of Arts degree. Still obsessed with creating art with paper pulp\, she chose to attend Arizona State University to learn hands on from one of the authors whose book she had studied. With her new skills\, she moved to Colorado and became an apprentice to Raymond Tomasso\, an internationally known artist. She gave workshops in Vail and Leadville and produced 150 sheets of nearly identical denim papers for a limited-edition book\, Strange Papers\, that was assembled and bound in Germany. At the same time\, she attended the University of Colorado and earned an MFA in sculpture in 1988. She moved back to her hometown in Iowa in 1998 and she became the Visual Arts Director for Quad City Arts\, a nonprofit organization. She oversees two art galleries and a public sculpture program. Additionally\, she serves on the Acquisitions Committee for the Figge Art Museum and teaches papermaking at Gilda’s Club. After caring for her home & family\, she creates art in the wee hours of the night. She consistently exhibits her work in regional exhibitions. \n 
URL:https://octagonarts.org/event/dawn-wohlford/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20221008
DTEND;VALUE=DATE:20221113
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SUMMARY:LAYERS OF REALITY: ANDREW CLARRIDGE AND MATTHEW TERRY
DESCRIPTION:Artist Statements\nAndrew Clarridge\n \n“My work is an endeavored process culminating out of experiences many or all of us have had in our lives. I like to focus on an array of issues such as technology and its psychological effects\, enslavement\, love\, loss\, death\, renewal\, enlightenment and empowerment. These are broad topics that have deep historic layers from which to sift through. The “layers” of inspiration are ambiguously related to the layers I build up in each piece. The digital work incorporates up to 50 layers or more of blending\, mirroring\, breaking apart\, color correction etc. This work is derived from hand made pieces involving wildly vivid and bright colors\, wood burned matrices and geometric form interplayed with organic counterparts. In both computer generated and hand-made pieces (sometimes both in one) the colors and forms are created to coexist with each other in a harmonious dance that often resonates with music I may be listening to at the same time.” \n  \n  \n  \nMatthew Terry\nLife is expression; and from a young age Matthew has fully embraced this expression. Lost within his surroundings\, at 16 he found photography\, and through this medium he developed a way to connect with other individuals who also felt a similar level of detachment. By combining subjective perspective with universal appeal Matthew has found unique ways of questioning not only the identity of who we are\, but also how we interact & relate to that which surrounds us. Whether he’s capturing a Landscape\, Architecture\, or the Human Form\, his work challenges the relation of inherent truths & fiction that occur in our existence. Utilizing contrasting tones\, and a distinctly deliberate perspective influenced by combining the conscious and subconscious as a means to question reality\, Matthew showcases conceptual photos which evoke a level of detachment subtle enough for most people to connect with. It is through this connection that Matthew proves on a perceptual level just how related we actually are. \nAbout the Artists\nAndrew Clarridge is from Story City\, and graduated with a BFA in 2009 from Iowa State University. Andrew has exhibited work with the artist group Paintpushers and also independently around central Iowa since 2010. Currently\, Andrew creates work out of Mainframe Studios in Des Moines\, and has an open studio where he demonstrates and discusses his work every first Friday of the month. \n  \n  \n  \n  \n  \n \nMatthew Terry is a Fine Art Photographer and graduate of the Academy of Art University\, where he attained his BFA-Photography with a focus in Fine Art Photography in December of 2014. Currently located in the Davenport Iowa/Quad City area\, Matthew picked up his first film camera in 2004 at age 16\, and since has exhibited and sold work at galleries in Rome\, San Francisco\, and Minneapolis\, among others. Additionally seeing work published both Nationally (Iowa\, Vermont\, New York\, Atlanta) and Internationally (Italy\, England). Growing up in the Midwest\, he long felt alienated in both a physical and mental sense. Lost within his surroundings he found photography\, and through this medium he found a way to connect with other individuals who also felt a similar level of detachment. \nRecently featured in the Iowa 175th Anniversary edition of The Annals of Iowa and a featured guest at the 2021 Celebrate Iowa Gala\, Matthew is a quickly emerging talent from the Eastern edge of Iowa attempting to change up the perception of what Midwestern/Iowa art has traditionally represented. \nExhibit Event\nLayers of Reality Artist Talk with ISU Alum\, Andrew Clarridge   \nWednesday\, November 2\, 4:30-5:30 p.m.\nOctagon Center for the Arts Community Gallery\nFree and Open to the Public\nMasks Required \nJoin artist Andrew Clarridge\, an alum of ISU College of Design and a featured artist in the Octagon Center for the Arts’ Layers of Reality exhibit\, for an artist talk on November 2nd. Andrew will talk about his exhibit artwork and artistic process\, as well as answer questions from students and community members. \n  \nLayers of Reality: Andrew Clarridge and Matthew Terry is sponsored by the Department of Art and Visual Culture at Iowa State University and PhotoSynthesis.   
URL:https://octagonarts.org/event/andy-clarridge-and-matthew-terry/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20220709
DTEND;VALUE=DATE:20220814
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SUMMARY:Second Annual Member Show
DESCRIPTION:Located in the Community Gallery \nThis unjuried show celebrates the skills\, creativity\, and lived experiences of the Octagon community! Let’s fill the gallery and surround ourselves with our own amazing work — established artists next to emerging artists\, all media. \n \nThe Octagon’s Member Show 2022: Participating Artists \n\n\n\n\nCarolyn \n\n\nAbbott \n\n\ncarolyntabbott.smugmug.com \n\n\n\n\nPenny \n\n\nAdam \n\n\n\n\n\nRobert \n\n\nAnders \n\n\nInstagram: @bobsretirementhut  \n\n\n\n\nDeb \n\n\nAnders-Bond \n\n\n\n\n\nTiffany \n\n\nAntone \n\n\nInstagram: @My_Lil_Weirdlings  \n\n\n\n\nCarol \n\n\nBarrick \n\n\n\n\n\nLayna \n\n\nBentley \n\n\n\n\n\nTerry \n\n\nBrigman \n\n\n\n\n\nRuthellen \n\n\nCunnally \n\n\nInstagram: @CutandPasteMosaics  \n\n\n\n\nSusan \n\n\nCunningham \n\n\nInstagram: @susanacunninghamart  \n\n\n\n\nLinda \n\n\nEmmerson \n\n\nGoogle Sites: Linda Emmerson papercutting \n\n\n\n\nKristy \n\n\nEvans \n\n\nInstagram: @kristys_abstract_art  \n\n\n\n\nNaomi \n\n\nFriend \n\n\nwww.naomifriend.com \n\n\n\n\nCathie \n\n\nGebhart \n\n\ndanthefishpublishing.weebly.com/ \n\n\n\n\nLydia \n\n\nGebhart \n\n\n\n\n\nJIll \n\n\nGuffy \n\n\nFacebook: Jill Guffy \n\n\n\n\nRex \n\n\nHeer \n\n\nrexheer.com \n\n\n\n\nJim \n\n\nHellemn \n\n\njimhellemn.com \n\n\n\n\nKatharine \n\n\nHensley \n\n\n\n\n\nLaurie \n\n\nHoifeldt \n\n\nwww.etsy.com/shop/LaurieJaneArt Facebook: Laurie Hoifeldt \n\n\n\n\nJulie \n\n\nHughes \n\n\nInstagram: @juliehughesart \n\n\n\n\nLinda Cather \n\n\nJohnson \n\n\nCatherjohnson.myportfolio.com \n\n\n\n\nConnie \n\n\nJohnson \n\n\n\n\n\nLetitia \n\n\nKenemer \n\n\n\n\n\nSvetlana \n\n\nLubota \n\n\n\n\n\nEmily \n\n\nLupita \n\n\nemilylupita.com/ \n\n\n\n\nJoshua \n\n\nMcCunn \n\n\nthumbsphotography.squarespace.com/ \n\n\n\n\nSara \n\n\nMerritt \n\n\nInstagram: @papercranesara \n\n\n\n\nJon \n\n\nMuller \n\n\n\n\n\nNicole \n\n\nNevels \n\n\nFacebook.com/Nicole.Tolson.7 \n\n\n\n\nChristopher \n\n\nNorris \n\n\nInstagram: @hedrawsgood \n\n\n\n\nSusan \n\n\nNorris \n\n\nInstagram: @eccentricoldwoman \n\n\n\n\nHailey \n\n\nNyman \n\n\nEtsy: CourageXConfidence Instagram: CourageXconfidence23 \n\n\n\n\nSasha \n\n\nPhillips \n\n\nInstagram: @SashaBlu_Art  \n\n\n\n\nJoseph \n\n\nPlum \n\n\nemilylupita.com/joeplum  \n\n\n\n\nTimothy \n\n\nPross \n\n\nwww.ProssWildlifeArt.com \n\n\n\n\nKyle \n\n\nRenell \n\n\nwww.kylerenell.com \n\n\n\n\nKimberlee \n\n\nRocca \n\n\nwww.kimberleerocca.com/ \n\n\n\n\nSam \n\n\nSenti \n\n\nSkunkriverburls@gmail.com \n\n\n\n\nRichard \n\n\nShook \n\n\nwww.dickshook.com \n\n\n\n\nJill \n\n\nSneed \n\n\n\n\n\njosh \n\n\nsorrell \n\n\nwww.joshsorrell.com \n\n\n\n\nKevin \n\n\nStow \n\n\n\n\n\nRobert \n\n\nSunderman \n\n\nwww.facebook.com/RobSundermanArt \n\n\n\n\nKathy \n\n\nSvec \n\n\n\n\n\nBarb \n\n\nThompson \n\n\nwww.bthompson.studio Facebook/Instagram: @bthompson.artwork \n\n\n\n\nSean  \n\n\nThornton \n\n\n\n\n\nTheresa \n\n\nWarren \n\n\n\n\n\nAlicia \n\n\nWilkinson \n\n\naliciawilkinson.com \n\n\n\n\nKelsey \n\n\nWilson \n\n\nwww.kelseywilsonstudio.com \n\n\n\n\nNorma \n\n\nWolff \n\n\n\n\n\nIrina \n\n\nYavorskaya \n\n\nArtPal.com/impressionsByIsy \n\n\n\n\nTom \n\n\nZimmerman \n\n\n\n\n\n  \nMember Show artists respond to the question\,  \n“What does Octagon membership mean to you?” \n“The Octagon thanks each of its members and patrons when we all should be thanking them for being here!  In my opinion\, The Octagon has become the cornerstone of the art world in Ames\, Iowa.  Through their hard work they have moved the arts forward in such a way that the lives of the community members has become enriched in many ways.” – Penny Adam \n  \n“Art is important\, it feeds our souls and helps us find our place in the world. The Octagon\, by nurturing artists all ages\, enriches the fabric of life in Ames.” – Ruthellen Cunnally \n  \n“Octagon membership is an intentional way to participate in our local creative community\, which is invaluable.” – Naomi Friend \n  \n“The Octagon has been my safe space to think and create\, teach and be taught.” – Cathie Gebhart \n  \n“Octagon membership is mutually beneficial: It is gratifying to support the arts in Ames\, thereby enriching the broader community. And it is rewarding that the Octagon encourages and supports individual artists and engages those who appreciate art.” – Rex Heer \n  \n“My membership means that I have a place to belong in the community. Where I can experience art and create art.” – Katharine Hensley  \n  \n“The arts are essential to the human experience\, and membership is just a tiny way to show support for local art and artists.  The Octagon has made dramatic\, intentional changes over the past few years and is now I think the most relevant and necessary it has ever been – it is often art that builds empathy within a community\, creates space for dialogue\, and elevates expression so we can connect to each other in meaningful and transformative ways. I am proud to be a member\, and hope to see the arts in Ames expand even more with the Octagon leading the way.” – Sara Merritt \n  \n“Octagon membership means that I can partner with and learn from the greater art community here in Ames and beyond in an accessible and accepting space.” – Sasha Phillips \n  \n“I get to be a part of a great art organization that I can help support\, while it also supports me.” – Josh Sorrell \n \n  \nThe Details \n\n\n\n\n\nEach current member may submit one of their own original works\, any media. This is work created by the member.\nA simple form must be completed (form coming soon!). Let us know if you need a little help signing up.\nThis is an unjuried\, all media show; all submissions will be accepted (one per member) as long as the instructions\, including hanging requirements\, are followed. \nTraditional hanging requirements must be followed; full instructions for accepted works are here. Let us know if you need to talk about this.\nPlease label your work carefully with your name\, e.g.\, the back bottom right corner for a 2D piece.\nDrop off June 11 – July 2\, 2022\nThe Octagon will not take a commission on any work sold in the Member Show\, as a benefit to members. Work may also be submitted as “not for sale.” Work must be picked up August 16 – 20\, 2022.\nKeep in mind \, any artwork that is shown in the Octagon galleries will not be eligible for future Octagonal or other Octagon juried exhibits.\n\n\n\n\n\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				If you want to join next year’s show by signing up for a membership\, visit https://octagonarts.org/home/membership/ \nFor further information\, please contact us at exhibits@octagonarts.org
URL:https://octagonarts.org/event/second-annual-member-show/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20220430
DTEND;VALUE=DATE:20220515
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SUMMARY:2022 Elementary/Middle/High School Annual Student Show
DESCRIPTION:Located in the Community Gallery/Virtual \nThe Octagon Center for the Arts highlights artwork by local elementary\, middle\, and high school students annually.  \n\n2022 Kindergarten – 8th Grade Student Show\nSee the K – 8th Grade Show virtually! Visit our YouTube channel to see the Show: https://youtu.be/l_N0KeDsDNI \n\n2022 High School Student Show\nSee the High School Show in the Community Gallery April 30 – May 14\, 2022. The reception for High School Show was held on Thursday\, May 5\, 2022\, 6:00 – 7:30pm in the Community Gallery. Our juror announced high school awards and share comments on the show. The award presentation and comments can be viewed on the Octagon Facebook page. \n2022 High School Show Juror: JAMIE MALONE \nJamie Malone (they/them) is an Iowan traditional and graphic illustrator who graduated with a B.A. in Biological/Pre-Medical Illustration in 2019 from Iowa State University. They have been working as a freelance illustrator for many non-profits\, authors\, and schools in the central Iowa area. Their art is heavily influenced by celestial bodies\, music\, mysticism\, and the natural world. \nJamie worked at the Octagon Center for the Arts as the 2021 Curator in Residence. \n  \n2022 High School Show Award Winners \nJeffrey L. Brown Memorial Photography Award: “Cue!” by Derek Peng\, Senior\, Ames High School (Art Instructor: Lindsay Wede) \nDavid Burton Stone Memorial Painting/Drawing Award: “Self Portrait” by Cecilia Moyer\, Senior\, Nevada High School (Art Instructor: Mark Beauchene) \nJuror’s Choice (Sponsored by Ames Silversmithing): “Beautiful Wonders” by Emma Brockman\, Freshman\, Ames High School (Art Instructor: Lindsay Wede) \nJuror’s Choice (Sponsored by Ames Silversmithing): “Starlights” by Emma Hudnell\, Freshman\, Madrid High School (Art Instructor: Danielle Dalluge) \nJuror’s Choice (Sponsored by Ames Silversmithing): “First Night” by Carter Wolfe\, Junior\, Ballard High School (Art Instructor: Lisa Bell) \nJeffrey L. Brown Best of Show Award: “Ancestry Nesting Dolls” by Lorna Schuckert\, Senior\, Ames High School (Art Instructor: Lindsay Wede) \n  \n\n\n\n\n\nTHANK YOU TO OUR GENEROUS 2022 SPONSORS:\n\n\n\n\n\n\n\n\nThe Brown Family Endowment Fund\nThe Stone Family Endowment Fund\n\n\n\n\n\n\n\n 
URL:https://octagonarts.org/event/elementary-middle-high-school-annual-student-show/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20220304
DTEND;VALUE=DATE:20220410
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LAST-MODIFIED:20220318T161940Z
UID:13613-1646352000-1649548799@octagonarts.org
SUMMARY:2022 Octagonal: The All Media Show
DESCRIPTION:Located in the Community Gallery \nOctagonal: The All-Media Show is the annual\, juried all-media exhibition at the Octagon Center for the Arts in Ames\, Iowa. Originally titled the Clay and Paper Show\, the exhibit opened in 1968 to provide an opportunity to the central Iowa arts community. Over the past 53 years\, the exhibit morphed over the decades to become the Clay\, Fiber\, Paper\, Glass\, Metal\, Wood Exhibit that has featured hundreds of artists from dozens of states. The newest version of the exhibit\, Octagonal: The All-Media Show\, launched in 2018 taking a note from the past while moving forward to continue to provide an exciting opportunity for artists across Iowa\, the Midwest\, and the nation. This exhibit features a regionally-recognized juror each year\, attracts artists from across the United States\, and provides significant cash awards. \nJoin the Octagon staff\, exhibit artists\, and exhibit juror for the 54th annual Octagonal: The All-Media Show’s opening night reception on Friday\, March 4th at 6:00 p.m.! Juror Akwi Nji will announce Octagonal 2022 award winners and share juror comments. Then\, join four Octagonal artists in a panel discussion on “Identity and Connection: Art as a Reflection of our Environments.” Featured artists are Natalie Deam\, Jennifer Gauerke\, Kimberlee Rocca\, and Anda Tanaka\, who will discuss how connections to their environments – social\, ecological\, occupational – shape their identities and their artwork.  \nOctagonal 2022 will be open for viewing in the Community Gallery\, starting March 4th at 6:00 p.m. and until April 9\, 2022. The Octagon requires proper mask wearing and physical distancing while in all parts of the building. \nThis event is in partnership with the Ames Community Arts Council. A big thank you to the 2022 sponsors: 10Fold Architecture + Engineering\, Cook’s Emporium\, Dog-Eared Books\, Gilger Designs\, Nook & Nest\, Sherwin Williams\, Z.W. Mercantile\, Brown Family Endowment Fund\, Huff Endowment Fund\, Iowa Arts Council\, City of Ames Commission on the Arts.  \n\nAwards\nWinifred V. Brown Best of Show award:  $1000 \nMedia award for each category: $250 \nPriscilla Sage Fiber Award\nSponsored by: Z. W. Mercantile\n“Siphonophore” by Betty Busby \nJanet Harris Squires Clay Award\nSponsored by: Cooks’ Emporium\n“Socially Distanced” by Hank Hall \n\nMartha Benson Metal Media Award\nSponsored by: Gilger Designs\n“Exhale” by Katie DuVal Mihelich \n\nVeronika Ruedenberg Mixed Media Award\nSponsored by: Nook & Nest Ames\n“Forces of Change” by Maggie Douglas \n\nPaper Media Award\nSponsored by: Dog-Eared Books\n“Stink Eye” by Mattea Whetstone \n\nGlass Media Award\nSponsored by: 10Fold Architecture + Engineering\n“Highland Meadow” by Jerene Kruse \n\nWood Media Award\nSponsored by: 10Fold Architecture + Engineering\n“Carousel” by Amelia Currier \n\nPainting Media Award\nSponsored by: The Sherwin-Williams Company\n“Beautiful Nymph” by Jess Quinn \n\nEmerging Artist Award\nSponsored by: The Octagon Center for the Arts and Brown Family Endowment Fund\n“Untitled (For Nona)” by Anda Tanaka \nWinifred V. Brown Best of Show Award\nSponsored by: Brown Family Endowment Fund\n“We’re all under the same sky” by Linda Lewis \n\n2022 Juror: Akwi Nji\n\nAkwi is an award-winning artist creating in words\, performance\, and visual art. She specializes in creative personal narrative storytelling across artistic mediums. Her work and words have appeared on stage from California’s Wine Country to New York’s Fashion Week. \nShe is owner of Threshold Gallery\, an artist-run gallery and micro venue with a mission to support women artists and artists of color in the Midwest; creator of The Remoir Project\, a nationwide audio and visual storytelling arts initiative\, and a champion of the artist and the arts through her role as producer of multi-media arts events in the Midwest. \nAkwi has served as an arts ambassador in multiple roles including as founding executive director of The Hook\, an Iowa Arts Council board member\, producer of nearly 100 events in recent years\, involving more than 300 writers and performers; and advisor of Arts Midwest initiatives. \nHer art serves as manifestations of her exploration of race\, gender\, Black history as American history\, and a parallelism of current social issues with their historical and cultural counterparts\, tensions between the ‘outsider’ and ‘insider’\, and concepts of spiritual and geographic home. As a writer\, voice artist\, performer\, and producer her collaborative partners include Emmy-award winning composers and nationally-renowned dancers and choreographers. She has been an Iowa Arts Council Fellow and\, for her efforts in the business community\, she was named one of Corridor Business Journal’s Forty Under 40.  \nAkwi was born in Iowa City\, Iowa\, and raised in Cameroon\, Africa. Her experiences as a Cameroonian and Cameroonian American inform her work as artist and advocate. She lives in the Midwest with her two daughters\, the family dog\, and her daughters’ cats. \nPROFESSIONAL BACKGROUND\nAkwi’s professional background is in nonprofit leadership\, public education\, journalism\, and strategic communications. Prior to launching her businesses\, she was most recently Director of Communications at the fourth largest employer in her county and serving more than 20\,000 stakeholders. Her professional expertise uniquely spans the corporate and creative world\, positioning her as a sought-after voice on strategic creative communications in the Midwest region. \n\nWe would like to thank everyone who submitted work to be juried for Octagonal 2022: The All Media Show. The following artworks have been accepted by juror\, Awki Ngi. Congratulations!\n 2022 Accepted Artworks\n\n\n\n\nLast Name \n\n\nFirst Name \n\n\nTitle \n\n\n\n\nAdam \n\n\nPenny \n\n\nSunny Day Window \n\n\n\n\nAlberda \n\n\nJoanne \n\n\nWoven Toss \n\n\n\n\nBauerle \n\n\nMarcia \n\n\nSaint Analogous \n\n\n\n\nBrown \n\n\nSara Slee \n\n\nSouls Ascending Green Gate \n\n\n\n\nBusby \n\n\nBetty \n\n\nSiphonophore \n\n\n\n\nCourter \n\n\nCherie \n\n\nBuck Run #2 \n\n\n\n\nCurrier \n\n\nAmelia \n\n\nCarousel \n\n\n\n\nDayton \n\n\nA K \n\n\nLarch Creek \n\n\n\n\nDeam \n\n\nNatalie \n\n\nBloom (Invasive) \n\n\n\n\nDouglas \n\n\nMaggie \n\n\nForces of Change \n\n\n\n\nDouglas \n\n\nMaggie \n\n\nWhere does the time go? \n\n\n\n\nDuVal Mihelich \n\n\nKatie \n\n\nExhale \n\n\n\n\nEastburn \n\n\nJudith \n\n\nGolden Hills #2 \n\n\n\n\nEllis \n\n\nAmee \n\n\nLaundry Day \n\n\n\n\nElshout \n\n\nKaren \n\n\nWild Hair \n\n\n\n\nFlynn \n\n\nMeghan \n\n\nTiger (Lily) Queen \n\n\n\n\nGauerke \n\n\nJennifer \n\n\nSister Earth \n\n\n\n\nGuffy \n\n\nJill \n\n\nMini quilt Aerial Blocks \n\n\n\n\nHall \n\n\nHank \n\n\nSocially Distanced \n\n\n\n\nHarris \n\n\nAmy \n\n\nEbb and Flow 2 \n\n\n\n\nHensley \n\n\nKatharine \n\n\nSeawall \n\n\n\n\nHerren \n\n\nKenneth \n\n\nShofukan \n\n\n\n\nJoffe-Bouska \n\n\nMarcia \n\n\nRio De Memoria (River of Memory) \n\n\n\n\nKruse \n\n\nJerene \n\n\nHighland Meadow \n\n\n\n\nLaursen \n\n\nAnnie \n\n\nLandscape Nesting Bowls \n\n\n\n\nLehmkuhl \n\n\nGayle \n\n\nGus\, Mike and me: we are from the land \n\n\n\n\nLewis \n\n\nLinda \n\n\nWe’re all under the same sky \n\n\n\n\nLopez \n\n\nAna \n\n\nLondon Wall \n\n\n\n\nPasutti \n\n\nLynsi \n\n\nCoil Vessel Part 1: Wave \n\n\n\n\nPiippo \n\n\nMariah \n\n\nUntitled Textural Painting (Size: 16Hx20Wx2D) \n\n\n\n\nQuinn \n\n\nJess \n\n\nBeautiful Nymph \n\n\n\n\nRocca \n\n\nKimberlee \n\n\nFish Out of Water \n\n\n\n\nSchnitzer \n\n\nAmy \n\n\nThe Quest \n\n\n\n\nShook \n\n\nRichard \n\n\nThe Magician \n\n\n\n\nSorrell \n\n\nJosh \n\n\nErupt \n\n\n\n\nStewart \n\n\nLori \n\n\nMaintaining Equilibrium \n\n\n\n\nTanaka \n\n\nAnda \n\n\nUntitled (For Nona) \n\n\n\n\nTanaka \n\n\nAnda \n\n\nWalking With Amira \n\n\n\n\nWhetstone \n\n\nMattea \n\n\nStink Eye \n\n\n\n\nWhetstone \n\n\nMattea \n\n\nTomorrow \n\n\n\n\nWilkinson \n\n\nAlicia \n\n\nHealing Landscapes Series: From Mexico City to the Midwest\, USA \n\n\n\n\nYavorskaya \n\n\nIrina \n\n\nDancing Penguins ’19 \n\n\n\n\nZeitler \n\n\nDeborah \n\n\nThree Bowls in a Bowl
URL:https://octagonarts.org/event/13613/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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SUMMARY:Wax Cathedral KAT SILENT WATER
DESCRIPTION:LOCATED IN THE COMMUNITY GALLERY\n \nKat Silent Water is a printmaker based out of Ankeny\, Iowa\, working in woodblock and linoleum relief since 2014. She recently embraced the alchemical properties of encaustic painting in her latest body of work\, ‘Wax Cathedral’. Silent Water’s inspiration has taken root in Art Nouveau’s celebration of organic forms and cultural anthropology. \n \n\nSilent Water earned a Bachelor of Arts in Art and Visual Culture from Iowa State University in 2015\, with an emphasis in printmaking and painting. Her work has been exhibited across the state of Iowa and St. Louis\, Missouri\, in national group exhibitions. She also painted a Mural for the University of Colorado Boulder\, College of Music. \n\nAbout Kat’s Artwork: Wax Cathedral is a glance into a world we have yet to visit; the bee hive. The body of artwork celebrates the sisterhood and hard work of honey bees in North America. Capturing their sainthood of agriculture and modern struggles against incursion\nof mites\, fungi and disease with beekeepers as watchful guardians of the hive. \n \n\nCathedrals are seen as hallowed ground. When individuals walk through the threshold of the sanctuary\, they are transported to a safe place of spiritual solace. Cathedrals embellish every detail in their interior\, allowing daily worries and hardships to dissipate. It creates an unworldly and beautiful place\, as though you were in heaven itself. \n\n\nJust as these spiritual institutions are maintained amongst a community of like-minded individuals\, so is the hive of the honey bees. The unique fortress is founded on hard work and communication. It serves as an escape from the plague of predators and treachery. The worker bees build their interior with careful yet creative consideration. \n\n\nThe resilience shown in both the honey bees and beekeeper community have been the foundation of my artistic inspiration Although the enemies of mites\, fungi and disease threaten the bee’s hallowed sanctuary\, the beekeepers find ways to repair and mend\nthese colonies with research and patience. \n\n\nMaking the art beekeeping even more valued just like Kintsugi\, the Japanese art of repairing and beautification of broken objects. \n\nhttp://www.orthruspress.com/
URL:https://octagonarts.org/event/wax-cathedral-kat-silent-water/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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SUMMARY:OCTAGONAL 2020: The Annual All Media Exhibit
DESCRIPTION:LOCATED IN THE MAIN GALLERY \nOctagonal: The All-Media Exhibit is the annual\, juried all-media exhibition at the Octagon Center for the Arts in Ames\, Iowa. Originally titled the Clay and Paper Show\, the exhibit opened in 1968 to provide an opportunity to the central Iowa arts community. Over the past 51 years\, the exhibit morphed over the decades to become the Clay\, Fiber\, Paper\, Glass\, Metal\, Wood Exhibit that has featured hundreds of artists from dozens of states. The newest version of the exhibit\, Octagonal: The All-Media Exhibit\, launched in 2018 taking a note from the past while moving forward to continue to provide an exciting opportunity for artists across Iowa\, the Midwest\, and the nation. This exhibit features a regionally-recognized juror each year\, attracts artists from across the United States\, and provides significant cash awards. \n2020 Juror: Jordan Weber\nUsing utilitarian materials\, Jordan Weber produces sculptural social objects that speak to the ways in which racially oppressed peoples are restricted physically\, geographically\, and socially. The architecture of his work attempts to create inclusive environments where visitors might test or practice forms of sustainable urbanism. These public works are often modified to fit the site specificity of their environments both inside museums and cultural institutions and individual communities alike. \nWeber is a Des Moines based multi-disciplinary artist/activist who works predominately with inner-city communities nationwide. His work has been exhibited at White Box\, New York; Union for Contemporary Art\, Omaha; Intersect Art Center\, St. Louis; The Soap Factory\, Minneapolis; Smack Mellon\, New York; Manifest Justice\, Los Angeles; Charlotte Street Foundation; Kansas City; Gallery 38\, Los Angeles; Open Engagement\, Chicago; Truth to Power\, Philadelphia; 50/50\, Kansas City. Awards and fellowships include Harvard LOEB candidate\, A Blade of Grass fellowship NYC\, Tanne Foundation award\, Joan Mitchell nominee\, USA Artist nominee\, Des Moines Public Art Foundation fellowship\, Iowa Arts Council Artist Fellowship (Creative Capital) and the African American Leadership Forum Fellowship. He is currently in residence at the Walker Art Center in Minneapolis. \nThank you to HAILA Architecture Structure Planning Ltd. and the Huff Endowment for sponsoring Jordan’s juror honorarium. \n  \n2020 Selected Work\nA sincere thank you to all who submitted work. Congratulations to those whose work was chosen for this year’s exhibit. Please join us for the reception on February 7\, 2020\, 5 – 7pm with awards presented at 6pm.
URL:https://octagonarts.org/event/octagonal-2020-the-annual-all-media-exhibit/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190525
DTEND;VALUE=DATE:20190714
DTSTAMP:20260423T190746
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SUMMARY:Measured Perceptions APRIL KATZ
DESCRIPTION:LOCATED IN THE COMMUNITY GALLERY \nArtist Statement for Measured Perceptions\nDuring a 2015 trip to Spain\, Katz encountered evidence of La Convivencia (the coexistence of Muslim\, Jewish and Christian populations) in Medieval Spain that provided hope for our current time of vitriolic discourse. Measured Perceptions embraces the similarities and unique contributions of the varied cultures that follow the three Abrahamic religions and combines them with the human languages of arithmetic and geometry to symbolize the universal search for order and understanding. \nThe project includes the series Essential Patterns of Perception a progression of intaglio prints based on one of ten geometric structures that advance from one (a point) through ten (a decagon). The sequence conveys increasingly complex cognitive engagement with the environment. The Contemplation series includes the above plates inset within larger\, mixed media monoprints that provide varied cultural and natural contexts. These prints begin as digital collages that incorporate photographic and drawn imagery. Additional painting\, drawing and collaged paper tesserae create rich visual layering that parallels the overlay of cultural histories found in buildings like the Mosque-Cathedral of Córdoba or the synagogue in Toledo. These prints invite meditative examination inspired by a wish for a future of peaceful coexistence\, mutual respect and meaningful dialogue. \nArtist Bio\nApril Katz received her M.F.A. degree from Arizona State University. She currently is Morrill Professor at Iowa State University where she has taught printmaking since 1999. For nineteen years she has organized the university’s annual international postcard print exchange. From 2004 – 2006 Katz served as president of the Southern Graphics Council. Her prints\, which synthesize digital and traditional printmaking processes\, are in numerous collections and have been exhibited throughout the US and recently in Portugal\, Spain and China. She has presented papers for print\, photographic and visual literacy professional national and international conferences. \nKatz’s primary language and tool is the print whose vocabulary includes transfers\, layers\, seriality and variations on a theme. Printmaking is a dance whose movements of carving\, scratching\, etching\, wiping and rolling she choreographs through varied thematic and visual lenses. Death of loved ones\, serious illness and political discord are the forces that have shaken Katz to the core and led her to ask fundamental human questions about herself and her relationship to the world. She searches for connections between disparate elements to understand and convey their impact on current personal and cultural identity.
URL:https://octagonarts.org/event/measured-perceptions-april-katz/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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SUMMARY:Twenty Years: APRIL KATZ + 29 former printmaking students
DESCRIPTION:LOCATED IN THE MAIN GALLERY \nPrint Retrospective\n  \nArtist Bio: April Katz\nApril Katz received her M.F.A. degree from Arizona State University. She is Morrill Professor at Iowa State University where she has taught printmaking since 1999. For nineteen years she organized the university’s annual international postcard print exchange. From 2004 – 2006 Katz served as president of the Southern Graphics Council. Her prints\, which synthesize digital and traditional printmaking processes\, are in numerous collections and have been exhibited throughout the US and recently in Portugal\, Spain and China. She has presented papers for print\, photographic and visual literacy professional national and international conferences. \nKatz’s primary language and tool is the print whose vocabulary includes transfers\, layers\, seriality and variations on a theme. Death of loved ones\, serious illness and political discord are the forces that have shaken Katz to the core and led her to ask fundamental human questions about herself and her relationship to the world. She searches for connections between disparate elements to understand and convey their impact on current personal and cultural identity. \n 20 Years: April Katz and the Expanded ISU Printmaking Community\nThis 20-year retrospective includes examples from a variety of print series I made while teaching printmaking at Iowa State University. The community I share with my students\, past and present; in my collaborations with JoAnn Boehmer as a member of BOKA; and as a regular participant in national and international dialogues at print conferences nurtures my artistic growth and stimulates my passion for creative inquiry. I am so pleased that former and current ISU printmaking students are willing to share their work with each other and with the Ames community for this exhibition. \nRetrospection\, the action of reviewing the past\, encapsulates the primary focus of my prints. My work asks viewers to consider the role the past plays in shaping current identity. This initially involved personal memory and the recording of the day-to-day details that make up our lives. However\, my investigation expanded to include historical\, cultural and biological factors that shape us as individuals.
URL:https://octagonarts.org/event/print-retrospective-april-katz/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190518
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SUMMARY:States of I  MARY JONES & JOLYNN REIGELUTH
DESCRIPTION:LOCATED IN THE SWEENEY GALLERY \nArtist Statement and Bio: Mary Jones\nMary Jones makes maps of the wilderness of personal history. Images and words are layered out of time and perspective; space is described by the inhabitants\, whose journeys are being told. Details get piled on in the way that life is lived– in steps\, notes\, beats\, breaths\, and marks. Jones is a scavenger\, and whether drawing or working in print media\, collage is always an element. \n\nPrior to moving to the Des Moines area\, Jones lived in Chicago\, where she exhibited at Ann Nathan Gallery. She was employed as an illustrator and designer\, with work published by the Chicago Tribune\, Playboy Magazine\, and the Philadelphia Enquirer\, among other publications. She was awarded residencies with the Ragdale Foundation\, and with Anchor Graphics in Chicago. Twice she has taught photopolymer intaglio workshops for Frogman’s Print Workshops in Omaha\, NE. For the past 14 years\, she taught printmaking\, design\, and book arts courses Grand View University in Des Moines. She has work in several public collections\, including the Illinois State Museum\, and the Alter Collection of Art by Women at PAFA in Philadelphia. She is represented by Tory Folliard Gallery in Milwaukee and Moberg Gallery in Des Moines. She is a 2018-19 Iowa Arts Council Fellow. \nArtist Statement and Bio: Jolynn Reigeluth\nJolynn Reigeluth is an artist originally from Des Moines\, Iowa currently living and working in Indianapolis\, Indiana. She earned her MFA in printmaking from Kansas State University in 2015. Currently she teaches courses at Indiana Wesleyan University\, and annually curates a national printmaking exhibition and portfolio for the Kurt Vonnegut Museum and Library in Indianapolis. In recent years\, her work has been included in exhibitions across the United States including the Bradley International Print and Drawing Exhibition\, Pacific States Biennial North American Printmaking Exhibition\, and others \nReigeluth’s work has long been influenced by a wide range of art\, music\, TV\, movies\, etcetera emerging from the 1920s to 1960s\, despite being born in the late 80s. She grew up watching cartoons from Fleishcer Studios like Betty Boop\, Bimbo\, Felix the Cat\, Popeye and others. She also senses an influence from a range of blues and jazz artists from the 1920s to 40s like Lil’ Johnson and Cats and the Fiddle\, who performed songs with titles such as Hot Nuts and Sam\, the Hot Dog Man. These influences play an important role in her work which has been described as evocative of “the atomic and plastics age of the mid-century.” (Michaela Mullin\, Moberg Gallery.) Reigeluth has a distinct affinity for the absurd and scatological that manifests in these introspective self-portraits. The imagery is fueled by humor and spontaneity\, and is filled with an inventiveness and ambiguity of subject that ranges from cheekily adolescent to darkly absurd. \nCurrent Work: https://www.jolynnreigeluth.com/prints-and-drawings
URL:https://octagonarts.org/event/mary-jones-jolynn-reigeluth/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190511
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SUMMARY:Surface Wear AJ ZANDT
DESCRIPTION:LOCATED IN THE SMALL WALL GALLERY \nBiography and Artist Statement \nAJ Zandt is an artist and printmaker from Milwaukee\, Wisconsin. Surface Wear is the result of his latest efforts to expand the relationship between the human body and surface through the lens of skin and clothing. Each work in the exhibition is comprised of varied combinations of pressure-printed fabrics and impressions of human skin on paper that take the shape of sewing patterns. AJ tears his prints after the first layers are established and follows the tears with shuffling\, reassembling\, and reprinting before stitching the pieces together. The prints are a reflection on the role of surface as a boundary. They are barriers that capture\, like a fine net or filter\, the actions of the artist at work. The actions themselves permeate the paper\, but the evidence of the experience is registered—or printed—onto the paper’s surface. They are left behind as proof of living. \nAJ received a Master of Fine Arts in Integrated Visual Arts from Iowa State University in 2019 and a Bachelor of Design in Architecture from University of Minnesota in 2011. His printmaking work has been exhibited in numerous national exhibitions\, including the Mid America Print Council Juried Exhibition in Laramie\, Wyoming; the Parkside National Small Print Juried Exhibition in Parkside\, Wisconsin; and the Annual Paper In Particular National Juried Exhibition in Columbia\, Missouri. \nJoin us for an Artist Talk on Thursday\, June 6 at 6pm
URL:https://octagonarts.org/event/surface-wear-aj-zandt/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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