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SUMMARY:OCTAGONAL 2020: The Annual All Media Exhibit
DESCRIPTION:LOCATED IN THE MAIN GALLERY \nOctagonal: The All-Media Exhibit is the annual\, juried all-media exhibition at the Octagon Center for the Arts in Ames\, Iowa. Originally titled the Clay and Paper Show\, the exhibit opened in 1968 to provide an opportunity to the central Iowa arts community. Over the past 51 years\, the exhibit morphed over the decades to become the Clay\, Fiber\, Paper\, Glass\, Metal\, Wood Exhibit that has featured hundreds of artists from dozens of states. The newest version of the exhibit\, Octagonal: The All-Media Exhibit\, launched in 2018 taking a note from the past while moving forward to continue to provide an exciting opportunity for artists across Iowa\, the Midwest\, and the nation. This exhibit features a regionally-recognized juror each year\, attracts artists from across the United States\, and provides significant cash awards. \n2020 Juror: Jordan Weber\nUsing utilitarian materials\, Jordan Weber produces sculptural social objects that speak to the ways in which racially oppressed peoples are restricted physically\, geographically\, and socially. The architecture of his work attempts to create inclusive environments where visitors might test or practice forms of sustainable urbanism. These public works are often modified to fit the site specificity of their environments both inside museums and cultural institutions and individual communities alike. \nWeber is a Des Moines based multi-disciplinary artist/activist who works predominately with inner-city communities nationwide. His work has been exhibited at White Box\, New York; Union for Contemporary Art\, Omaha; Intersect Art Center\, St. Louis; The Soap Factory\, Minneapolis; Smack Mellon\, New York; Manifest Justice\, Los Angeles; Charlotte Street Foundation; Kansas City; Gallery 38\, Los Angeles; Open Engagement\, Chicago; Truth to Power\, Philadelphia; 50/50\, Kansas City. Awards and fellowships include Harvard LOEB candidate\, A Blade of Grass fellowship NYC\, Tanne Foundation award\, Joan Mitchell nominee\, USA Artist nominee\, Des Moines Public Art Foundation fellowship\, Iowa Arts Council Artist Fellowship (Creative Capital) and the African American Leadership Forum Fellowship. He is currently in residence at the Walker Art Center in Minneapolis. \nThank you to HAILA Architecture Structure Planning Ltd. and the Huff Endowment for sponsoring Jordan’s juror honorarium. \n  \n2020 Selected Work\nA sincere thank you to all who submitted work. Congratulations to those whose work was chosen for this year’s exhibit. Please join us for the reception on February 7\, 2020\, 5 – 7pm with awards presented at 6pm.
URL:https://octagonarts.org/event/octagonal-2020-the-annual-all-media-exhibit/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190830
DTEND;VALUE=DATE:20191110
DTSTAMP:20260423T165218
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SUMMARY:70K: The Biennial Community of Artists Exhibit
DESCRIPTION:LOCATED IN MAIN GALLERY \nLet’s do a little math! A = πr2 There are 70\,686 square miles in a circle with 150 square mile radius. Thus the name for this exhibit…  70K is a juried exhibition of artists located 150 miles from Ames or nearer. This focus on local and regional artists is an important part of the mission of the Octagon Center for the Arts. \nOpening Reception: August 30\, 2019\, 5-7pm. Awards at 6pm. \n\n \nJuror: \nAllison Sheridan\nMuseum Collections Manager\,\nPublications Coordinator\, &\nFarm House Museum Manager \nSheridan is a two-time Iowa State University graduate with a B.S. in History (’01) and a M.S. in Interdisciplinary Graduate Studies (’11). She began with University Museums at ISU in 2001 as the Education Assistant and has since moved on to the role of Collections Manager\, Publications Coordinator and Farm House Museum Manager. In that capacity\, she is in charge of the many museum collection works of art – over 30\,000! She researches\, coordinates\, authors\, edits and designs all aspects of University Museums’ publications including the popular Campus Beautiful (2015). She is the staff member in charge of the Farm House Museum\, the oldest campus building\, and routinely curates exhibitions\, presents programs and outreach\, provides tours\, and coordinates strategic planning. She has served as the chair of the Ames Public Art Commission\, on the State of Iowa Technical Advisory Network and grant review committees\, Iowa Museum Association conference planning committee\, and recently consulted with the City of Clive on their public art master plan. \n\n \nAccepted Work:\n\n\n\nPenny\nAdam\nBirch Grove 3\n \n\n\nTilda\nBrown Swanson\nOrange Maple Leaf\n \n\n\nNanette\nCatigbe\nThree’s Company\n \n\n\nAnna\nChukharevakhudilayn\nForest Ride\n \n\n\nAnna\nChukharevakhudilayn\nGolden Rider\n \n\n\nRuthellen\nCunnally\nCoral Reef\n \n\n\nRuthellen\nCunnally\nGauze\n \n\n\nJudith\nEastburn\nWild Parsnips\, Elkader Iowa\n \n\n\nCaroline\nFreese\nClaire\n \n\n\nCaroline\nFreese\nDeep Dish Pie Pan with Blue Whale Pattern\n \n\n\nCaroline\nFreese\nRed Fox Face\n \n\n\nJan\nFriedman\nEarth Series: Spiral\n \n\n\nJan\nFriedman\nBefore It’s Too Late\n \n\n\nRex\nHeer\nThinking of Flamingos\n \n\n\nRex\nHeer\nCool Flamingos\n \n\n\nVictoria\nHerring\nWoman in Havana Street\n \n\n\nMarcia\nJoffe-Bouska\nEmblem\n \n\n\nMarcia\nJoffe-Bouska\nSacrifice\n \n\n\nMarcia\nJoffe-Bouska\nEquivalence\n \n\n\nMary\nJohnson\nFaded Bouquet\n \n\n\nHolly\nKellogg\nConstruct\n \n\n\nLinda\nLewis Lieberman\nCow Henge\n \n\n\nLinda\nLewis Lieberman\nJoyous Dawn\n \n\n\nDiane\nMichaud Lowry\nFog Rolling In\n \n\n\nDiane\nMichaud Lowry\nReflections on Sullivan Lake\n \n\n\nPat\nMillin\nIdomeni\n \n\n\nChuck\nOulman\nIn Stockholm\n \n\n\nJarred\nPfeiffer\nTide Pool\n \n\n\nJarred\nPfeiffer\nArctic Circle\n \n\n\nIsaac\nPrior\nMuspelheim Gateway\n \n\n\nIsaac\nPrior\nAsgard Gateway\n \n\n\nJeremy\nRoy\nInsight: Justin and Andrew\n \n\n\nConnie\nSherman\nYellow Dress 89\n \n\n\nConnie\nSherman\nMidnight Dress\n \n\n\nAudrey\nStaples\nWintertime (Grasses)\n \n\n\nTeresa\nTownsend Miller\nMinus One\n \n\n\nRob\nWallace\nThe Naked Truth\n 
URL:https://octagonarts.org/event/70k-the-biennial-community-of-artists-exhibit/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190525
DTEND;VALUE=DATE:20190818
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SUMMARY:Twenty Years: APRIL KATZ + 29 former printmaking students
DESCRIPTION:LOCATED IN THE MAIN GALLERY \nPrint Retrospective\n  \nArtist Bio: April Katz\nApril Katz received her M.F.A. degree from Arizona State University. She is Morrill Professor at Iowa State University where she has taught printmaking since 1999. For nineteen years she organized the university’s annual international postcard print exchange. From 2004 – 2006 Katz served as president of the Southern Graphics Council. Her prints\, which synthesize digital and traditional printmaking processes\, are in numerous collections and have been exhibited throughout the US and recently in Portugal\, Spain and China. She has presented papers for print\, photographic and visual literacy professional national and international conferences. \nKatz’s primary language and tool is the print whose vocabulary includes transfers\, layers\, seriality and variations on a theme. Death of loved ones\, serious illness and political discord are the forces that have shaken Katz to the core and led her to ask fundamental human questions about herself and her relationship to the world. She searches for connections between disparate elements to understand and convey their impact on current personal and cultural identity. \n 20 Years: April Katz and the Expanded ISU Printmaking Community\nThis 20-year retrospective includes examples from a variety of print series I made while teaching printmaking at Iowa State University. The community I share with my students\, past and present; in my collaborations with JoAnn Boehmer as a member of BOKA; and as a regular participant in national and international dialogues at print conferences nurtures my artistic growth and stimulates my passion for creative inquiry. I am so pleased that former and current ISU printmaking students are willing to share their work with each other and with the Ames community for this exhibition. \nRetrospection\, the action of reviewing the past\, encapsulates the primary focus of my prints. My work asks viewers to consider the role the past plays in shaping current identity. This initially involved personal memory and the recording of the day-to-day details that make up our lives. However\, my investigation expanded to include historical\, cultural and biological factors that shape us as individuals.
URL:https://octagonarts.org/event/print-retrospective-april-katz/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20190201
DTEND;VALUE=DATE:20190331
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SUMMARY:Octagonal: The All Media Exhibit
DESCRIPTION:LOCATED IN MAIN GALLERY AND SWEENEY GALLERY (3rd floor) \nOctagonal: The All-Media Exhibit is the annual\, juried all-media exhibition at the Octagon Center for the Arts in Ames\, Iowa. Originally titled the Clay and Paper Show\, the exhibit opened in 1968 to provide an opportunity to the central Iowa arts community. Over the past 51 years\, the exhibit morphed over the decades to become the Clay\, Fiber\, Paper\, Glass\, Metal\, Wood Exhibit that has featured hundreds of artists from dozens of states. The newest version of the exhibit\, Octagonal: The All-Media Exhibit\, launched in 2018 taking a note from the past while moving forward to continue to provide an exciting opportunity for artists across Iowa\, the Midwest\, and the nation. This exhibit features a regionally-recognized juror each year\, attracts artists from across the United States\, and provides significant cash awards. \n2019 Awards \nThe following media awards are named in honor of the four women who founded the Octagon Center for the Arts in 1966. \n Special thanks to Haila Architecture\, Structure\, Planning to sponsoring the following four media awards. \nPriscilla Sage Fiber Award: Incubator (tapestry) by Betty Busby from Albuquerque\, NM \nJanet Harris Squires Clay Award: Wedding Vase (ceramic) by Jasmine Beul of Ames\, IA \nMartha Benson Metal Media Award: Mater et Filia (Raised Copper Vessel) by Gina Westergard from Lawrence\, KS \nVeronika Ruedenberg Mixed Media Award: The Sunny Day (linoleum tile sculpture\,) by Sue Berkey from Fairfield\, IA \nThe following awards are generously funded by the Brown Family Endowment Fund in honor of Donald Brown Jr. and Winifred V. Brown   \nPaper: March 28th (digital photograph) by Angela Beckwith of Ames\, IA \nGlass: Veiled Cane on a Blue & White Overlay by Art Ciccotti from Ames\, IA \nWood: One Million Rocks (rocking chair) by Matthew Obbink from Boone\, IA \nPainting: Crush No. 1 by Jeremy Roy from Grimes\, IA \nEmerging Artist Award: Scarecrow in the Garden by Robert Jinkins from Rewey\, WI \nWinifred V. Brown Best of Show Award: Drained (painting) by Josh Sorrell from Ankeny\, IA \nAward winners pictured with Juror\, Jeanine Coupe Ryding; Executive Director\, Heather Johnson; and Board President\, Sam Stagg
URL:https://octagonarts.org/event/4721/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20181004
DTEND;VALUE=DATE:20181112
DTSTAMP:20260423T165218
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LAST-MODIFIED:20181109T020655Z
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SUMMARY:Smithsonian Institution's Museum on Main Street Exhibit: Hometown Teams
DESCRIPTION:Smithsonian Institution’s Museum on Main Street Exhibit \nHometown Teams \nOctober 4 – November 10 \nMAIN GALLERY \nOur love of sports begins in our hometowns. We play them on ball fields and sandlots\, on courts and on ice\, in parks and playgrounds\, even in the street. From pick-up games to organized leagues\, millions of Americans of all ages play sports. Win or lose\, we yearn to compete and play another day. \nIf we’re not playing sports\, we’re watching them. We sit in the stands and root for the local high school team\, or gather on the sideline and cheer on our sons and daughters as they take their first swing or score their first goal. \nHometown sports are more than just games—they shape our lives and unite us and celebrate who we are as Americans. \nFIND OUT MORE ABOUT THIS UNIQUE EXHIBIT HERE
URL:https://octagonarts.org/event/smithsonian-institutions-museum-on-main-street-exhibit-hometown-teams/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180914
DTEND;VALUE=DATE:20181122
DTSTAMP:20260423T165218
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SUMMARY:Aperture: The Biennial Juried Photography Exhibit 2018
DESCRIPTION:Aperture: The Biennial Juried Photography Exhibit 2018 \nTheme: Community Sports \nSeptember 14 – November 21\, 2018 \nMain Gallery \nWe experience the world around us in flashes of action and emotion in the world of sports. From the youngest to the oldest members of our community\, competitive games bring people together and spark movement and involvement. Photographers exercising their trigger finger are invited to submit their photographs highlighting athletes and athletic experiences in their lives. \nThis exhibit is a companion to the traveling Smithsonian exhibit: Hometown Teams. \nJurors: Alex & Dan McClanahan \nMcClanahan Studio is the creative collaboration of husband/wife duo Dan and Alex McClanahan. Their studio is headquartered in historic downtown Ames\, Iowa – the town where Dan grew up and where he and Alex met as students at Iowa State University. The couple founded McClanahan Studio in March of 2009 and quickly established themselves as a fresh and innovative alternative to traditional photography in Iowa and beyond. \nThe couple has worked extensively in athletics\, photographing pieces for the Iowa State University basketball and football programs and the Minnesota Vikings. The McClanahan’s distinctive style of imagery has become known around the world through success in international print competition. \nIn 2015\, Alex won 1st place for best wedding album in the largest International Photographic Competition. In 2016\, Dan took 1st and 2nd place for best senior portrait photography in the same competition. This year Dan took home three international first place awards in the Landscape\, Commercial\, and Artist categories. This year his landscape image was selected to represent Team USA for the World Photographic Cup in Japan. \nBoth Dan and Alex have received Master of Photography degrees from the Professional Photographers of America and have been heavily involved in the photography community as educators\, teaching the craft at dozens photo conferences around the country. \nAWARDS: \nADULT\n1st Place\n“Over Shadowed”\nMatthew Lepke \n2nd Place\n“Taking the Bull by the Horns”\nShane Abbitt \n3rd Place:\n“Mets”\nMike Corones \n\nYOUTH\n1st Place:\n“Untitled”\nSamantha Wilbur \n2nd Place:\n“Batter Up”\nGrace Long \n3rd Place:\n“Brother Playing Soccer”\nSadie Brockett
URL:https://octagonarts.org/event/aperture-the-biennial-juried-photography-exhibit-2018/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20180511
DTEND;VALUE=DATE:20180729
DTSTAMP:20260423T165218
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SUMMARY:Field Notes  DANIELLE CLOUSE GAST
DESCRIPTION:Field Notes \nDANIELLE CLOUSE GAST \nMay 11 – July 28\, 2018 \nMAIN GALLERY \nGrowing up and living in Northwest Iowa\, routes to and from different towns have been memorized and have only seemed to slightly change over the years. \nThe landscape has become the welcome constant in my daily life when driving place to place. But on many occasions\, when the intention is to truly “see” the landscape (still often from the car window)\, beautiful\, abstract things can be found that are not that far removed from what is truly there. \nWhat do I look at? Shadows running down a ditch. Fence posts creating not only borders\, but lines reaching up into a horizon. Corrugated metal siding on a building that has turned a warm rust orange. Wonderfully organized grove lines and plant rows whose placed structure en mass pulls away from its individual organic shape. The same routes\, the same landscapes\, viewed at different times of day and different times of year. \nNew to the body of work within the last few years has been the inclusion of a husband with a pilot’s license – allowing a new view of this landscape I thought I knew well. This new perspective on the area has opened up doors of new compositions\, color possibilities\, and most importantly\, emphasized the style I usually employ in my paintings: organized\, geometric lines and breakdown of the familiar landscape. \nThough often ignored and occasionally referenced in conversation by local landmarks\, this section of Iowa landscape is the classic subject matter I have chosen to employ in my work. Due to this focus\, venturing from small town to small town usually lends itself more to research than travel.
URL:https://octagonarts.org/event/danielle-clouse-gasts-field-notes/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20180419
DTEND;VALUE=DATE:20180506
DTSTAMP:20260423T165218
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SUMMARY:Elem/Mid/High 2018
DESCRIPTION:Elem/Mid/High 2018 \nAn Annual Exhibition of Local Elementary\, Middle\, and High School Senior Students \nApril 19 – May 5\, 2018 \nMAIN GALLERY & SWEENEY GALLERY \nThe Octagon Center for the Arts showcases artwork by local elementary\, middle\, and high school students annually. High School art instructors from schools within 20 miles of the Octagon Center for the Arts are welcome to register students in their fall and spring classes for participation.
URL:https://octagonarts.org/event/elem-mid-high-2018/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20180126
DTEND;VALUE=DATE:20180408
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SUMMARY:50th Annual Clay\, Fiber\, Paper\, Glass\, Metal\, Wood
DESCRIPTION:50th Annual Clay\, Fiber\, Paper\, Glass\, Metal\, Wood \nJanuary 26 – April 7\, 2018 \nMAIN GALLERY & SWEENEY GALLERY \n2018 marks the 50th annual All-Media juried exhibit at the Octagon Center for the Arts. The first Clay\, Fiber\, Paper\, Glass\, Metal\, Woodopened in 1968\, two years after the organization’s founding in 1966. The Octagon was founded out of the community’s desire to provide exciting art experiences for the public and professional opportunities for artists. This show the organization’s attempt to fully embody the founding vision. As a result\, it has a reputation for being one of the best group juried shows in Iowa due to its national reach\, high standards for jurors\, and significant cash awards. The title of the show reflects a media-focused theme. The founders believed that many art forms seen as lowly “crafts\,” such as ceramics or woodworking\, should be elevated to compete with the level of other “fine” arts. The idea of excellent craftsmanship combined with compelling ideas continues to be a central theme as artwork is selected. This is the longest repeating exhibit at the Octagon and is responsible for bringing some of the most prestigious artwork into the community. \nJuror: Peter Pinnell \nPeter Pinnell’s first professional position was as Artist in Residence at the Octagon Art Center in Ames\, Iowa\, a position he held from 1984 to 1987. “I loved the Octagon\, and my wife and I loved living in Ames. It was the perfect place for me at that point in my career”. After leaving Ames\, Pinnell spent eight years in Kansas City\, working as a studio potter and teaching part-time at the Kansas City Art Institute. In 1995 Pinnell was offered a faculty position at the University of Nebraska\, where he is now Professor of Art. \nIn addition to his teaching\, Pinnell writes\, lectures and exhibits his pottery widely. Over the last 20 years he has been an active presenter with NCECA (the National council on Education in the Ceramics Arts)\, and his ceramics column\, “As Far as I Know” has appeared in Clay Times magazine since 1998. His artwork has appeared in exhibitions across the US and in a number of venues overseas.
URL:https://octagonarts.org/event/50th-annual-clay-fiber-paper-glass-metal-wood/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Octagon Center for the Arts 427 Douglas Avenue Ames IA 50010 United States;X-APPLE-RADIUS=500;X-TITLE=427 Douglas Avenue:geo:-93.6123172,42.0257584
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170811
DTEND;VALUE=DATE:20171029
DTSTAMP:20260423T165218
CREATED:20180806T172420Z
LAST-MODIFIED:20180806T172420Z
UID:3060-1502409600-1509235199@octagonarts.org
SUMMARY:Deeply Rooted  STUDIO ART QUILT ASSOCIATION
DESCRIPTION:Deeply Rooted \nSTUDIO ART QUILT ASSOCIATION \nON DISPLAY AUGUST 11 – OCTOBER 28\, 2017\, MAIN GALLERY \nDeeply Rooted\, a juried exhibition organized by the Studio Art Quilt Associates (SAQA)\, explores the meaning of “roots” through the quilt medium. Thirty works are featured\, all created by SAQA members from Illinois\, Iowa\, Nebraska\, and Wisconsin. SAQA\, founded in 1989\, is an organization of more than 3\,000 fiber artists devoted to the education\, exhibition\, promotion\, professional development\, and documentation of the medium. \nPat Bishop\, “Cedar Swamp #5” Fused and machine quilted\, hand-dyed linen and other materials\, silk and silk ties\, commercial fabrics\, 2015\, Collection of the Artist
URL:https://octagonarts.org/event/deeply-rooted-studio-art-quilt-association/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://octagonarts.org/wp-content/uploads/2018/08/Pat_Bishop_CedarSwamp5.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
GEO:42.0257584;-93.6123172
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Octagon Center for the Arts 427 Douglas Avenue Ames IA 50010 United States;X-APPLE-RADIUS=500;X-TITLE=427 Douglas Avenue:geo:-93.6123172,42.0257584
END:VEVENT
END:VCALENDAR