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DTSTART;VALUE=DATE:20191102
DTEND;VALUE=DATE:20191222
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SUMMARY:EMILY VERDOORN & JON KAMRATH
DESCRIPTION:LOCATED IN SWEENEY GALLERY (3RD FLOOR) \nEmily Verdoorn\nThrough drawing\, I form vital relationships with the world of my everyday experience. My process often begins by drawing on location. I enjoy drawing places and spaces steeped in the personality of their inhabitants. My drawings develop in response to time spent observing places and things – their habits\, personality\, rituals\, and the people that frequent them. I love discovering the mundane glory in the commonplace. From observational drawing\, I often collect marks\, textures\, and patterns which I draw in with other findings in my daily life. This process is more about listening than telling\, more about responding than initiating. For me\, making is a process of discovery\, a conversation\, a way to experience life more deeply for the maker and the viewer alike. \nEmily Verdoorn has loved drawing and making things for as long as she can remember. As a child\, it was simply unselfconscious enjoyment which encouraged her to make. Gradually\, she discovered drawing as a means to more deeply engage with the world around her. In 2017\, Emily graduated from Belhaven University with a BFA in Visual Art. Currently\, Emily is continuing to develop her drawing process alongside teaching art lessons to children in her hometown\, Des Moines. \nJon Kamrath\nMy “Block House” series was initially inspired by watching my own kids play with a wooden block set. I began considering ways to incorporate the same visual vocabulary into my own work\, and to combine the whimsy of children’s toys with the long history of modern architecture. I found clay and wood to be the perfect medium for this. The trompe l’oeil wooden block appearance allows opportunities to explore surface texture\, layering and color. Additionally\, the clay construction methods present an opportunity to experiment with form\, and build sculptures that appear to sag and slump in ways impossible for wood. I greatly enjoy the unique dichotomy between permanence and fleeting\, hard and soft\, serious and fun. \nI use bright colors to invoke a splash of fun\, then subtly mute these to carefully draw out the rich texture and tie all the pieces together aesthetically. When combined with multiple forms each piece visually and conceptually transforms\, referencing evolving landscapes\, urban development\, and architectural relationships. The next step with these pieces was the addition of welded steel scaffolding. This allows the sculptures to grow in size and complexity\, bringing the pieces to the next level conceptually as well as aesthetically. Solid construction pushes the bounds of visual balance and stability\, while offering great physical strength and support. I am calling this new series “Structures”\, referring both to the physical objects\, but also the societal structures that create the building blocks and precarious foundations that many of us build our lives on. \nJon Kamrath works out of his studio in Mahtomedi\, MN where he lives with his wife and 3 young children. He received his BA in Art Education from Concordia College in Moorhead\, MN. After marrying his muse\, Jon moved to Iowa to earn his MFA in Integrated Visual Arts (sculpture) from Iowa State University. He has taught art at Fergus Falls Middle School and Eagle Ridge Academy. After taking a break from teaching to focus on his sculpture career Jon is currently busy creating large scale outdoor sculptures for universities and corporations\, as well as smaller intimate pieces for galleries\, homes and private collections. \nJon inherited craftsmanship skills\, love of tools\, and architectural appreciation from working with his father as a finish carpenter for many summers. He now blends these skills with the playful inspiration of his kids and the artistic vocabulary he learned through studying and teaching art. You can find more of Jon’s work at various galleries in the greater Twin Cities region\, outdoor parks in the Midwest\, or online at his website or Instagram. \nhttp://www.kamrathsculpture.com/
URL:https://octagonarts.org/event/emily-verdoorn-jon-kamrath/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;VALUE=DATE:20191108
DTEND;VALUE=DATE:20191228
DTSTAMP:20260508T175339
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SUMMARY:ANGE ALTENHOFEN & JOSH SORRELL
DESCRIPTION:LOCATED IN THE COMMUNITY GALLERY  \nAnge Altenhofen\n“Metaphorical function” is a term I use to describe my work\, dovetailing sculptural form with the innate potential for usefulness and interaction that every three-dimensional object possesses. In this scenario function follows form\, recycling art into a prosaic\, functional object that is activated through touch and let loose in the world. I tend to think that inanimate objects have “souls”\, or at least earn something akin to a soul as they get used more and more frequently over time. \nThe “Braille Series” is an ongoing body of work that references metaphorical function and incorporates Braille as a surface texture\, not only to deliver information through touch\, but to suggest blemishes on the skin that invite a haptic experience not unlike apes have while grooming one another. I first began using Braille text in my work after I was diagnosed with a degenerative eye condition that could eventually lead to permanent blindness. At the time of diagnosis I panicked- how does a visual artist make art without sight? This question sent me searching for answers and eventually led to creative discoveries I may never have found otherwise: understanding and revelation through physical touch and interaction with the art object itself. \nAnge Altenhofen was born and raised in Chariton\, Iowa. She earned a BFA in Studio Art from the University of Northern Iowa\, briefly attended the University of Iowa to study art history and Italian\, and earned an MFA in Sculpture and Ceramics from the School of the Art Institute of Chicago. Living part-time in Florence\, Italy\, she worked as an apprentice to puppeteer Rocco Cosentino\, and as the assistant director and student advisor for an international art academy\, Arte Sotto un Tetto. Since 1993\, Ange has lived predominantly in Chicago\, exhibiting her artwork both nationally and internationally including galleries and museums in Tel Aviv\, Vienna\, Florence\, Chicago\, and New York. She is also an established costume designer and has worked for numerous theater companies in Chicago\, co-founding the costume performance company DeCorps Costume Collective in 2001. Most recently she has worked as a published archaeological illustrator for the Oriental Institute at the University of Chicago\, drawing artifacts from archaeological sites in Egypt\, Iran\, Iraq\, Syria\, and Israel. In 2015 Ange returned to Iowa to write and illustrate a\nchildren’s book that she hopes to publish in 2019. \nJosh Sorrell\nI paint to explore human nature within our current social structures. The subjects of my work examine how our experiences affect our fragile identity. \nJosh Sorrell\, an Iowa native\, produces representational artwork altered by abstract elements. Using oil or charcoal as the preferred medium\, Josh examines themes of\npersonal and cultural significance while also attempting to draw a new perspective from accepted ideas. Subjects are often presented within a surreal atmosphere meant to strengthen its impact. This focus on combining both real and imaginary components allow the viewer to create their own unique interpretation. \nhttp://joshsorrell.com/
URL:https://octagonarts.org/event/ange-altenhofen-josh-sorrell/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Chicago:20191126T091500
DTEND;TZID=America/Chicago:20191217T100000
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SUMMARY:Exploring Art\, ages: 18 months – younger 3’s (Session 4: DEC)
DESCRIPTION:EXPLORING ART: SESSION 4 (DEC)\nAges: 18 months – younger 3’s \nDay/Time: Tuesdays\, 9:15 – 10am \nCost: $60 for each 4 week session below.  \nSession 1 (SEPT): September 3 – 24 \nSession 2 (OCT): October 1 – 22 \nSession 3 (NOV): October 29 – November 19 \nSession 4 (DEC): November 26 – December 17 \nTHIS REGISTRATION IS FOR SESSION 4 (DEC) ONLY. Check the class listing for additional sessions. Register for just one or all four; a separate registration is required for each session. \nDescription. Children and their adult partner will explore art together in a relaxed environment. Toddlers will create their own works of art while learning new skills like tearing paper\, gluing\, cutting\, coloring over texture\, painting with different objects\, moving through transitions and imitating art making processes. Activities will focus on age appropriate\, playful\, artistic and sensory materials. \nLimit: 6 adult/child pairs. \nInstructor: Beth Weninger\nLocation: Hunziker Studio \nRegistration closes when the class fills or on at 6am on 11/22/19. Students cannot be added after the registration closes. \n\nTo register: \n\nscroll down to the “Tickets” section near the bottom of this page\nenter the number of “tickets” you want  (one ticket per student)\nclick “add to cart”  \ncomplete the contact information form that appears after you add a ticket\ncomplete the payment information\ncheck your email for your receipt\n\nPlease note: \n\nStudents cannot be added after the registration closes.\nOctagon members receive class discounts. Please login before registering for classes and your discount will be applied automatically.\nIf you are not a member\, but would like to join\, click here. Purchase your membership first. Then login and proceed as noted above to receive your discount. Your discount will not be applied unless you are logged in.\n\nPlease contact us with any registration questions or concerns. Click here to send a message. Thanks for supporting arts education at the Octagon!
URL:https://octagonarts.org/event/exploring-art-ages-18-months-younger-3s-session-4-dec/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
CATEGORIES:Classes
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